Yes quarantine has produced an outpouring of little, home movie-meets-hi-tech video sketches. This one is about carrot cake, one of my mom's specialties.
Photos of the world's best piece of carrot cake are here.
My mom's recipe began with a prizewinning recipe she saw in the newspaper "a few years ago". Since then she has made a few subtle but magical changes. One of these days we will likely do some kind of recipe project..maybe this will be in it.
In the video I mention that in Southeast Asia, "carrot cake" is a very delicious, but very different thing. The 'carrot' in SE Asian carrot cake is actually a white radish (something like what the Japanese call 'daikon'). It is fried with flavorings. Traditionally it is served on banana leaves,
Here is an interview with Mr. Boo, from Kampong Carrot Cake in Tiong Bahru, Singapore. I have eaten his carrot cake many times, and I have interviewed him for the sequel to i ate tiong bahru.
So, yes there are two very different foods that share the name of "carrot cake", and I am very fortunate to know master chefs of both!
I am reading the first part of a short story called 'Dewali at Galicier'. Dewali is the name of an important celebration in India, one that celebrates Light. Galicier is one of my favorite places in the world, not just because of the incredible pastries. I used to live nearby and have all kinds of pleasant memories of Galicier. Looking forward to getting back soon!
The story is about the time I spent Deepavali at Galicier, from opening to closing.
Gula Malaka is one of the many names for palm sugar. Gula malaka is used in nearly every Peranakan dessert.
Lately, musicians are going on the web to entertain, to give hope and, understandably, to make some money.
With Tenten, I am doing something like that. I would be surprised if I sell any books or music. This is mostly about connecting with old friends and making new ones. My hope is that I can provide twenty minutes of positive thoughts and energy every day.
I will be prepared before every program, and will not waste anyone's time. Stories for programs are always welcome. Planned topics include art, Asia, augmented reality, writing, photography and video.
If this goes well, I would think about how to upgrade the show technically. This would allow me to show photos, videos, links and do interviews. For now, videos and images will be supported by links on this blog.
In this, the first broadcast, I mentioned the following:
Bubiko Foodtour on Instagram. Search for Bubiko on this blog to find out more about her, including her guide to Augmented Reality.
3how was a dynamic improvisational music performance project in Singapore, co-founded by myself and Amith Narayan, whose projects include The Unseen Guest and The Silent State. 3how's CD is here. A blog post+video about 3how is here.
Thanks to Catchar, I discovered the FaceReplaced app. I installed and in less than 5 minutes had a very interesting little video. The following gives you an idea of what FaceReplaced can do but, yes...I hope you are viewing this on a mobile phone, as it seems to be upside down. This is a normal little hiccup for an app in beta. THIS BUG HAS BEEN FIXED.
FaceReplaced works exceptionally well, with no installation friction, and almost no learning curve.
I am now thinking of a way to get Bubiko in FaceReplaced, so that she can read sections from her book about AR. The challenge is that Face Replaced works best with real 3D objects, and at the moment, I only have Bubiko in 2D (paper) or as a digital adventurer in 2D videos and photos.
Hello. Stephen Black here. This is my personal, self-initiated, self-funded and unofficial project to create accurate and simplified definitions about GeoPose. I am doing this because:
I do (worldwide) presentations about AR, and need to be able to explain GeoPose clearly, and with technical accuracy. Short definitions increase comprehension, work well on Powerpoint, and save speaking time for other topics.
GeoPose and AR are topics for journalists, bloggers and reporters, not all of whom have technical backgrounds. Clear and simple definitions allow for the maximum flow of accurate information.
Although my ultimate goal is to create AR experiences/produce AR apps, I am now an AR educator/evangelist: speaking mainly to general audiences. It is clear that AR is not easily understood. GeoPost will be easy to use, but, for now, the concept will likely be intimidating to many people.
English is not always the first language within the tech community.
I'm a writer: I like using the fewest words to create most results.
So... all comments are welcome, and needed. By the time I give my presentation at ARIA/The MIT Media Lab, I hope to present the following ideas with the input and approval of those who are far more knowledgeable than I am.
Of course , once the following are clear, I hope the information can be shared by anyone, anywhere. I will also include the information in my ebook guide to AR project, which is updated as often as possible.
Thank you for your time and attention to this.
Please comment upon the italicized sentence. Thank you.
Danny Dimian is a visual effects supervisor at Sony Pictures Imageworks, most recently supervising the Academy Award-winning SPIDER-MAN: INTO THE SPIDER-VERSE for Sony Pictures Animation.
His presentation was proof that daring art can happen in large institutions. Yes, it can be said that Sony wanted a new stylized look for the Spiderverse movie(s). However, many, many times this desire for a new look results in simply hiring a trendy director/VFX person who then spends the money on the flavor of the month gear/software. The result can look dated very quickly.
Danny's team went retro; they researched old comic books and found the techniques (and flaws) that make them so distinctive. Halftone dots and misaligned printing being two examples. They also collected the words, exclamation points and marks that add impact.
They then used these as the basis for experimentation and also brought in painters to create stylistic possibilities. In short, there was a lot trial and error involved with bringing the look of old printing into the age of 8K.
The Women in Animation panel was serious, yet insightful and lighthearted. Hopefully the unwanted challenges described will become nonexistent for the next generation of women, and the opportunities will increase.
I met Jim Simons, the force behind Tranzient, at the November 2019 edition of the London Augmenting Reality Meetup. He did a live demo of the Tranzient VR/music making app. The app not only performed beautifully, Jim composed some great little beats; on the spot of course.
The Tranzient app allows musicians to collaborate in VR, in real time. Tranzient is impressive on many levels. I wondered if Jim would be consider adding Bubiko to his "band".
Jim was open to the idea!
What you see above is less than an hour's work. Now that we know Bubiko is functional within Tranzient, we can literally play around.
Tranzient is highly recommended https://www.aliveintech.com/ . I just met Jim, but he is genuinely enthusiastic about making music in VR. If you are a musician and working in VR, you should definitely move on Tranzient. Jim is a bit mysterious about his musical past, but I am sure he was involved with some great projects. He sure makes Bubiko look good!
This version on Bubiko was made by Novaby, art directed by Stephen Black and Sayuri Okayama.
This post provides notes on the above Powerpoint. The actual presentation elaborated on the points much more than I do here. Please feel free to ask questions. Also, as always I recommend joining the Open Augmented Reality Cloud. They are working to create open, interoperable standards to encourage the growth, use and understanding of AR.
And yes, another resource is Bubiko Foodtour's Unusual Guide to Augmented Reality, which is reviewed here.
The following presentation uses references from the State of the AR Cloud Report published May 28, 2019 by the Open AR Cloud. All rights reserved. http://stateofthearcloud.com/ With the exception of Novaby, the 3D model making company, I have no relationships with any companies mentioned in this presentation. This research has been self-funded.
The above link exemplifies a lot of the ideas about the future of AR in general, as well as about the potential applications of AR and AV, Autonomous Vehicles.The entire article is good, but the embedded video is excellent.
I cannot recommend the work of the OARC highly enough. Visit their site for the download of the first OARC Symposium Report.
8. www.blacksteps.tv At least three posts about 'geopose'
Yes, on this blog, I presently have a few posts about 'geopose'.
9. From correspondence with Jan-Erik Vinje, Managing Director of Open Augmented Reality Cloud:
○ If we are successful in creating such a standard we will in effect have created the equivalent of the URL for real world spatial computing. Allowing the geopose of both real and virtual objects to be universally captured, stored, shared and understood.
This comment by Jan-Erik, and those that follow, are self-explanatory. However, one week ago, at the second OARC Symposium, the definition of 'geopost' was greatly discussed. In fact, the goal of the OARC for the next year is to fcus upon creating a final definition of 'geopost', and to work towards a working model.
10. ○ I liken it to URL because it can be seen as links between the physical world with the digital world. ○ URL links information to more information. Geopose links the world to digital information and digital information to the world.
11. ● It can even be used to create a "persistent portal" between a physical space and a virtual space. Where people from across the world who are experiencing a virtual space can go through such a portal to experience a real space (by streaming realtime reality capture data to all those in the virtual reality space).
12. ● At the same time people in the real world can walk into the virtual reality space or see virtual objects, scenes and avatars of virtual reality users projected into their physical space using AR.
14. To create a GEOPOSE 1.Physical space owner 2. AR data/ SLAM spatial location and mapping 3. AR Cloud space 4. End user(s)
This slide features a photo of the Fox Theatre in Detroit. The front of the theatre is copyrighted. Anyway planning to use the front of the Fox would need to obtain permission to do so.
This situation would be true for many buildings, copyrighted or not.
15. How to find the location? (the need for interoperability): Google maps Mapillary Military maps LADOT ebike monitoring maps(eg) Satellite-based maps monitoring floods, snow, ice, fire, crowds etc. City/State/Federal maps Company owned routing maps Bus routes Ride sharing maps Superworld Emergency routes Bike lanes Construction Traffic signals
The companies and organizations listed above would all benefit from an open AR Cloud. A comparison is sometimes made, comparing the present state of the AR Cloud with the early nonstandardized gauges of railroad tracks. Once the railroad tracks became standardized, society benefited.
Once there are interoperable standards for the AR Cloud, groups like those listed above will benefit, as will education, medicine, science and, all of society/
BONNETS! (My Powerpoint looks extremely low tech. As much as I like this look, I have to say I had no choice. I was using my Chromebook , and used the baked in slide show creator. Next time, I might actually have the time to do some design work.)
DC Rainmaker does his usually outstanding job of reviewing a bicycle-related product.Jump into the video at about the 4 minute mark to see some exemplary AR techniques. Click here to see more examples and ideas related to AR+ Bicycles.
Cannondale, for the win! A great example of functional AR in an everyday situation, as opposed to a factory or medical facility.
From a presentation I did on AR and bike safety. All of those concepts need to be unified and rethought for the age of AR.
An example of an organization that has information that would be useful for AR in Detroit. Geographic Information Services… How much of what is under the road do they have records of? This info would be necessary for many AR services,
How do they make pointclouds-or do they even do this yet?
One of Magic Leap's views on how the total AR world might look like.
The layers presented include IoT (the Internet of Things, as well as AI. Photo courtesy of Tony at the Skarred Ghost, another person I suggest serious AR/VR people support and follow.
Another presentation from Magic Leap on how the total AR Cloud might look. They use the term "Magicverse".
A representation by the OARC on what the layers of the cloud would be. My suggested terms would be REAL1 (R1), REAL2 (R2) and REAL3 (R3). R1=the physical world. R2; the layer with few changes; buildings, landmarks, geography. R3 being the part of the AR cloud that changes the most, and has the most segmentation.
This system also lends itself to further classification. R2C22 , for example, could refer to a specific block in Chicago for example, and R2C22E could be the collective "channel" for all organizations utilizing traffic emergency communications for that area.
Microsoft Azure Spatial anchor systems. 'Anchor systems' refers to geoposing. There can be an endless number of clouds. Interoperability... Machines reading the world for humans... A browser...AI assisted browsers.
This is from the State of the Open AR Cloud 2019 report by the Open Augmented Reality Cloud group. Already some governing bodies are being formed.
Shenzhen's celebration used the entire city as a canvas. Something like this could be done in Detroit with AR, for much less cost, and with greater detail. AVs could travel on programmed routes... a new form of musical is born!
My report on the maker culture of Shenzhen is here.
The Fox Theatre is one of Detroit's cultural assets that could be utilized. This slide shows some of the layers of creation and co-operation that need to be considered.
Back to bROADWAY… and we have "discovered" that the Fox Theater is geofenced. Geofencing is a blocking of AR access. Military bases, sensitive areas...the interior of homes. The Fox Theatre is copyrighted, I believe. In this fictional example, Fox may have geofenced their theater to prevent unauthorized AR usage.