Tony, Antony Vitillo, is the AR/VR consultant who runs Skarred Ghost, one of the top blogs for VR and AR. I met Tony online in 2016, and we have shared our problems and joys since then. I was invited to speak in Munich and Paris, and hoped that somehow I could finally meet Tony in person, in Europe.
However, Tony was going to be in China until he returned to Italy, to give a presentation at VIEW, in Torino, Italy. I had never heard of VIEW. When I saw it, I immediately wanted to go. But my trip was on a budget far below “low budget”. Perhaps I could volunteer, like I would do at AWE, in Munich. Tony said he would ask the organizers, and that was how we left it.
I arrived in Turin on the morning of Sunday, October 21. I’d taken an overnight bus from Munich; the city felt both friendly and alien. Two officers in a polizia car asked me if I knew where I was going.
Though the officers described the bus and train options very well, I didn’t pay too much attention. Bubiko and I were going to walk.
And, walk we did.
The address turned out to be the administrative office for VIEW, not the venue. I was relieved when someone answered the intercom; and happy when Ricardo, a handsome young man walked out. He attentively listened to my volunteering idea and seemed genuinely interested in my Bubiko demo. Like the polizie, Ricardo gave me directions on how to the venue, a place called OGR, which seemed to be near where the bus from Munich had dropped me off. I thanked Ricardo, slung my bag over my shoulder, and began rolling my little suitcase down the road.
A blonde young woman called out to me! She was the driver for OGR, and she was going to the venue. As she drove me to OGR, we talked. She lived outside of Turin, and told me how beautiful the golds and reds of Autumn were beneath the snow-capped peaks of the Alps.
We arrived at OGR, once a train station, now an art center.
I didn’t know what would happen inside, but I pretended that I did.
I arrived in New Orleans on the morning of October 1, 2019. The very air-conditioned overnight bus ride from Austin resulted in a bit of a raspy throat, but overall, I was excited. At 9AM, I was to meet with Charles Carriere, the President and CEO of Scandy, a company working with cutting edge 3D ideas, like scanning and volumetric video.
Charles was friendly and informative. Our conversation was stimulating. At one point he pulled out his iPhone, waved it around me, and then pushed a button. Voila: my first portrait in 3D styleee!
My takeaway: AR will be defined by 3D objects. Yes, I knew this before, but now I have internalized that fact. Scandy's work is hugely important.
BONNETS! (My Powerpoint looks extremely low tech. As much as I like this look, I have to say I had no choice. I was using my Chromebook , and used the baked in slide show creator. Next time, I might actually have the time to do some design work.)
DC Rainmaker does his usually outstanding job of reviewing a bicycle-related product.Jump into the video at about the 4 minute mark to see some exemplary AR techniques. Click here to see more examples and ideas related to AR+ Bicycles.
Cannondale, for the win! A great example of functional AR in an everyday situation, as opposed to a factory or medical facility.
From a presentation I did on AR and bike safety. All of those concepts need to be unified and rethought for the age of AR.
An example of an organization that has information that would be useful for AR in Detroit. Geographic Information Services… How much of what is under the road do they have records of? This info would be necessary for many AR services,
How do they make pointclouds-or do they even do this yet?
One of Magic Leap's views on how the total AR world might look like.
The layers presented include IoT (the Internet of Things, as well as AI. Photo courtesy of Tony at the Skarred Ghost, another person I suggest serious AR/VR people support and follow.
Another presentation from Magic Leap on how the total AR Cloud might look. They use the term "Magicverse".
A representation by the OARC on what the layers of the cloud would be. My suggested terms would be REAL1 (R1), REAL2 (R2) and REAL3 (R3). R1=the physical world. R2; the layer with few changes; buildings, landmarks, geography. R3 being the part of the AR cloud that changes the most, and has the most segmentation.
This system also lends itself to further classification. R2C22 , for example, could refer to a specific block in Chicago for example, and R2C22E could be the collective "channel" for all organizations utilizing traffic emergency communications for that area.
Microsoft Azure Spatial anchor systems. 'Anchor systems' refers to geoposing. There can be an endless number of clouds. Interoperability... Machines reading the world for humans... A browser...AI assisted browsers.
This is from the State of the Open AR Cloud 2019 report by the Open Augmented Reality Cloud group. Already some governing bodies are being formed.
Shenzhen's celebration used the entire city as a canvas. Something like this could be done in Detroit with AR, for much less cost, and with greater detail. AVs could travel on programmed routes... a new form of musical is born!
My report on the maker culture of Shenzhen is here.
The Fox Theatre is one of Detroit's cultural assets that could be utilized. This slide shows some of the layers of creation and co-operation that need to be considered.
Back to bROADWAY… and we have "discovered" that the Fox Theater is geofenced. Geofencing is a blocking of AR access. Military bases, sensitive areas...the interior of homes. The Fox Theatre is copyrighted, I believe. In this fictional example, Fox may have geofenced their theater to prevent unauthorized AR usage.
Color correction was made, in both cases, with the 'auto' function. Spark is brighter than Camera.
Spark allows the camera person to move around the model, as though it were a physical object. Spark also allows the size of the model to become different sizes. With Facebook Camera, the position and size of the model are locked. Only the front of the model can be seen, like a 2D image. Like a postage stamp.
In this case, Dana positioned Bubiko on the bottom right. We checked this position so that it also works in landscape mode. However, landscape mode seems to be unstable, based on my experiences. Fb Camera often enlarges and turns the background scene, like this:
Note the size of the pictures in the last two examples. Spark uses the dimensions of a mobile phone, Camera produces a more conventional image.
Finally: saving images. Spark, in my case, saved images directly into the iPad photo album.
Facebook Camera, on the other hand... Unless you actively go into the Facebook Archive feature, and turn it on, the images are only stored for 24 hours! I am hoping there is a way to retrieve some images I made, but so far have not been able to find a way to bring them back. Frustrating, as I am 99.9% sure I pressed "save" on the Facebook Camera app.
All images were created with an iPad.
Happy to reply to any questions or comments. Thanks for stopping by!
I have to thank Dana Moreira S Hagan A LOT. For personal reasons, I unexpectedly found myself in Austin on a Tuesday, with the need to have the new version of Bubiko loaded in my tablet by 1PM the following Saturday.
On Wednesday, I went to Facebook, presented them with this letter:
Although I was told they would get back to me, they haven't. After constant searching, including meeting the very helpful PJ and Ramona at Impact Hub, I discovered Capital Factory. There were two events going on that night (Thursday), but two people, Brance Hudzietz and Erin Miller, put my request out on two different networks!
Finally, on Friday, about 6, I discovered Erin Ford at General Assembly. Thanks to Erin, about 7PM I started a phone conversation with Dana. Dana did not have the Mac-with-Mojave that was so desperately needed, but she did come through with the idea to use Facebook Camera which was an even better choice for testing.
The goal is to prepare for the possibilities of AR cinema.
This post documents a simple test. The Bubiko model used for the Tech in the Tenderloin event was used. Two locations: a garage and an open piece of land. The objective: to gain an understanding of what a “stage” can be in AR. AR is a new medium; to use the established techniques of theatre, television and movie is to fail to grasp the uniqueness of AR. Performance art and dance provide clues.
Notes: Spark used
Occlusion not a concern at this time
Ambient light a constant
Size and scaling of Bubiko purposely varied
Bubiko was created by Stephen Black and Sayuri Okayama
iPad used; no manual controls nor color correction
#DETSW2019 , Detroit Startup Week 2019, was phenomenal; a community that I was honored to be part of. Not only a great collection of professional and enthusiastic DOERS, the event had the coolest background in the world: Motown, 2019 stylee...
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And, if you, or anyone you know, will be in San Francisco on June 28th, there is this: Tech in the Tenderloin. A great bunch of kids will be there. And, it will be the world premiere of Bubiko Foodtour, the flagship character of my AR startup. Oh yes, Novaby, a fantastic 3D model making company will be there, as well as Niantic, who made Pokemon Go and the just-released Harry Potter AR game! #whenharrymetbubi