The goal is to prepare for the possibilities of AR cinema.
This post documents a simple test. The Bubiko model used for the Tech in the Tenderloin event was used. Two locations: a garage and an open piece of land. The objective: to gain an understanding of what a “stage” can be in AR. AR is a new medium; to use the established techniques of theatre, television and movie is to fail to grasp the uniqueness of AR. Performance art and dance provide clues.
Notes: Spark used
Occlusion not a concern at this time
Ambient light a constant
Size and scaling of Bubiko purposely varied
Bubiko was created by Stephen Black and Sayuri Okayama
iPad used; no manual controls nor color correction
Stephen Black: This post is a breakdown of my experiences with AR/VR/Spatial Computing. It starts with 2002, though I received a BFA in Photographic Illustration from the Rochester Institute of Technology well before that.
Before 2002, I lived in Tokyo, Manhattan, Paris and Hong Kong, and worked in network TV, fine arts, photography and music. A fuller biography can be found here. But AR is the topic of this post...
2002-2007. In Singapore I worked as a creative director for a 3D game making company that was also doing something like Youtube,-- but three years before Youtube. Although I was not a developer, I learned a great deal about spatial computing, and taught 3D gamemaking in Singapore, including classes at the Singapore Science Center. It was during this time, that David Severn and I developed the Secret Donut World characters.
2007- 2014 Singapore/Bali: wrote novels, including a bestseller, was involved with 3how and researched VR and AR.
2014 SPOKEN, with Eugene Soh; a curation of a wide range of artists.
2014 The Oculus signaled the emergence of VR, and I began notes for a book about VR cinematography.
2015 In Singapore, a chance meeting with Ender Jiang, the founder of Hiverlab, resulted in the opportunity to make my first 360 film. Ender provided me with technical support and creative freedom and I am extremely grateful for that opportunity. The resulting film, Beach Road, featured a soundtrack by Bani Haykal and Chen Yi Qi, and was selected as a demo VR film in the Hybrid Arcade session of the Brisbane Asia Pacific Film Festival in November 2015, and was nominated as the Best Experimental VR Film in the VR Fest Las Vegas 2016. It was also fetured in a VR film festival at the Singapore national Museum. Beach Road was receiving a healthy number of views and comments before a technical change in Google Play took it off. At the time of this writing, Beach Road is on Veer and has received almost 5000 views.
2016 The year began with discussing a VR startup idea with VCs in Singapore. Though the discussions went well, the lack of a prototype slowed things down. Shortly after, the release of ARCore and ARKit resulted in a halt to VR the possibilities of AR were assessed.
By April, AR had become the focus and the decision was made to become the "Pixar of AR": original characters, stories and software. With Sayuri Okayama, Bubiko Foodtour was originated.
2018 A presentation about AR was given at Sasin School of Business in Bangkok, later followed by two presentations and two workshops at Hong Kong PolyU, all at 80% capacity or higher.
2018Lotus Mountain, a 360 film was shot and post production began including VR art contributions from Scobot and a soundtrack by Rei Shimizu. The film is at least 80% done and finishing funds are now being searched for. Lotus Mountain was supported by Kando, and 8K Obsidians were used for most of the shooting. Noted Chinese VR filmmaker Leo Wei co-directed and produced.
Bubiko at the Rise festival in HK
Hong Kong Comicon
2018 Cross-promotional and development partnership with Six Cats Studios (HK), focusing on their original IPs, Ollie and Charlie.
2018 Presentations in Shenzhen, including Le Wagon and Tech Crunch Shenzhen.
Question: would you support a book about the Old West Side?
As you know, the Old West Side is a historical community full of distinctive architecture. Well... I have written a bestselling book about another historical community full of distinctive architecture.
That book is entitled i ate tiong bahru. It is one of my eight books. You can learn more about those books, and i ate tiong bahru, here. I should also mention Bus Stopping, a book of photographs.
Those books were written and self-published, mainly while I was living in Bali. To write about the Old West End would require time, and that means money. Do you think there could enough support for crowdfunding or other forms of support?
Also, any ideas on unusual exhibition spaces? I have a series of prints combine photography with text, and would like to present them to the public.
Thank you for your time and suggestions.
This is a collection of posts about Toledo: 419ness.
Happy to talk to anyone about video, photography, writing and AR.
I was fortunate to interact with these people who make music, and I hope to continue to do so. I am now finally starting to work on Driving to Singapore, a movie project. If you are a Singaporean musician, get in touch if you have something that might work as a soundtrack.
This post is rushed; I will add more comments later today. All of these posts are full of stories, and the musicians involved all have other projects I want to highlight.(I am challenging myself to do one post a day for a week.)
This is a fraction of my involvement. Typewriter, and a great blues jam in the back of the Substation. A job: Tanya Chua. Lee Wen's video. Wilson Goh singing at dawn at Suntech and at the International Electronic Arts Event. ... more projects I should document online, like this.
Moths In the Attic: the interview in the Toledo City Paper was the start. The demos on the MITA website clinched it. This band is something! They were scheduled to play in Grand Rapids, making me even more excited because Grand Rapids is near Singapore. But MITA was scheduled for Grand Rapids, Ohio not Grand Rapids, Michigan and the Singapore idea is another story for another day, so I will just stop rambling and share the photographs from the day I heard the Moths.
I'm telling myself that this is a self-portraiture/conceptual art/writing exercise. I do not stand nextto celebrities very often; almost never am I photographed with them. SXSW was incredibly brilliant (Cliche police! Arrest that man!), but it was also "very interesting" financially. If this post brings people to my blog and I can sell some books or connect with some funds for my AR startup and/or VR movies (here and here), then I guess this is OK. And if any galleries poke around this blog, that might be good.
I am listening to this. I discovered them because of Orions Belte. I knew nothing about OB before they walked onto the stage. The thrill of unexpectedly discovering a great live performance is extremely rare, at least for me. This is a very nice recording of Joe Frazier, but very different from what I experienced that night in Austin.... imagine being dragged to a karaoke night and discovering
I gave McNamee's business partner one of the small goofy pieces of paper I was passing out during SXSW, said "Low tech, high art" and walked away. So there ya go.
So, then, five minutes after the VR/angel incident...who comes by but Leonard Maltin, whom I do not know. But he's in a great mood and there is a friendly little crowd and we end up getting our photos taken with him. Only later did I learn who he is.
So... for quite a few years, I have wanted to write about the cover of the Soldier album, by Iggy Pop. It is a gem, a stick of dynamite made of stencils and spray paint. He's wearing wild eyeliner and a tee shirt. Every time I searched for information related to that studio shot, the trail led to a video of Dogfood on Youtube. I write about photography; and that cover, shot in 1979, is spectacular on many levels: technique, the times and everything else. I wanted to research and do a blog post about it. I'd research this topic every few years.
So... we're standing on the corner on a beautiful Sunday morning, our plan being to go to the Samsung exhibition again. Mari Goround stops and points to a sign. It is a talk about "screens"(video here), with a collection of VR projects upstairs. The venue is the beautiful hotel right in front of us. We go in. It starts in five minutes. Open bar. We mingle. The speakers are all experts and I am excited that we have discovered this. It starts. One of the speakers, right off the bat, says his name and that he did the art direction for the Soldier album by Iggy Pop. His name is Alex McDowell. A very big deal in Hollywood (Minority Report, Fight Club +++) he is now BUILDING WORLDS. But yeah...Soldier.