Category Archives: Video Art

Toyo Project 1

ANYONE CAN CONTRIBUTE TO THIS PROJECT. But yeah, you probably had to be there: LES in the 80s.

I have videos of No Se No performances and Toyo talking about life in the Lower East Side. (Thank you, Cowboy) If anyone has ideas on how to transfer Beta (Beta, not Betacam) tapes into today's technology, please get in touch. Thank you.

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I started this to bring attention to Toyo's photographic work and to see what would happen. Yes, I can write, but maybe I don't need to write anything. There is already one book about the Rivington School. Probably other people have more interesting things to say. Toyo's own memories and stories are treasures. I entered into this thinking that if I did write, I'd write about Toyo's images in a very impersonal manner, to counterbalance his intimacy. Topics like dates and short biographies, how Toyo constructs images, the challenges of film. Then, out of the blue... He sent some picture of me.

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OK... Let's get something out of the way. This series of blog posts is not about me. The first three introduce Toyo and myself, but after that... who knows? I graduated from RIT with a BFA in Photographic Illustration, with a minor in Film and Video. I graduated early, in March 1983. I was having a party and I told a teacher about it. He said where you going? I said New York City. He said what are you going to do and I said I don't know. He showed me a fax. Call them. If you work there, you get access to equipment. That's what it's all about. That was on a Friday. They wanted me to come in on Monday. I arrived in Brooklyn, sat by the river with my good friend Pat and wondered about the Manhattan skyline. We were waiting for another good friend, Ben to show up. We were going to stay at his loft.

The next morning Ben's girlfriend took us on the subway to Rivington Street. It was cold but there was a street market in the park we had to cut across. I imagined fruits and vegetables, maybe cooked chicken or something. We got closer, we were in the middle of it. The ground was completely blue, covered with empty syringe wrappers. Heroin. My interview was just on the other side. We walked through, I went up the stairs, started work the next day. That place was called Young Filmakers/Video Arts. The address was 4 Rivington. Later I moved right around the corner, onto the Bowery.

No Se No was at 32 Rivington Street. I left for a two week stay in Japan in October, 1984. The energy of what I experienced--and so much more, bursts out of every image Toyo has created. I am writing this from Kuala Lumpur, on July 18, 2017. I am seeing some of these pictures of myself... for the first time.

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Toyo Project 2 is here.

Stelarc: the sound of three hands clapping (#3 in the Haptics series)

Three hands clapping. Maybe the phrase is a cyborg Zen riddle. Maybe it’s not. I can only imagine Stelarc’s reaction upon seeing the phrase. He'll either ignore it and plunge into the heart of the text, or laugh his Aussie-mad-scientist laugh..

This post is casual, a pleasant way to continue my haptics series. So much of writing, art and AR/VR is done in isolation and it is refreshing and important to remember the human side of things. I’m reminded of how unusual the “facts” of my life can be: In Singapore’s Little India, I once had dinner with a man with an ear on his arm.

When I lived in Japan, I was fortunate to document a few of Stelarc’s performances that featured The Third Hand, including his monorail suspension, his "last". Years before that event, I was working in lower Manhattan, not far from where Stelarc suspended himself over 11th Street. Two of my friends rushed in and told me about the “guy who was hanging by fish hooks”. The information caused me to become became pale and deeply confused.

Photo by Toyo Tsuchiya used with permission.

Now, when I meet Stelarc, it is like seeing a dear friend, one who is always stimulating.

Stephen Black as lab rat

effect of low voltage electricity on muscles demonstration

Stelarc ear on arm

LASALLE College of the Arts, Singapore. With Urich Lau and Steve Dixon. My first and only photobomb.

http://www.blacksteps.tv/unlocking-with-ears-stelarc/
man, hat, smartphone and dragonfly

Stelarc recording winged body, by Stephen Black

Stelarc has a piece in SPOKEN, a co-production between myself and Eugene Soh, The Dude. The first part of this series is here.

Mare Vaporum: Open Source Video Material/Artwork

tribute to Alfred Steiglitz

Artists, musicians, filmmakers, poets, theatre people, CG artists, GIF artist, data scientists, ANYONE...Feel free to use this video for any noncommercial project you like. Let me know how you use it and I will promote your project. Commercial projects: I am sure we can work something out.

SOME POSSIBILITIES: - visuals for ambient, flute, or piano soundtrack/music video - elements for any kind of music video - cutaways or structural elements for a film - theatre backdrops/projections - mashups with other videos - video reformatted into other GIFs (FWIW the file size below is 5.42 megs) - stills accompanying texts, like short stories or poems

Mare Vaporum

    WHAT: Shot on an iPhone near Kuala Lumpur. There was no goal, other than to capture the moment.

    WHO:

    Stephen Black

    NOTES

    I am interested in, and have been writing about, hands and haptics. Also, I am now rewriting a collection of stories and essays called Touching JB, in which tactile sensations figure prominently. And then there are my startup plans...

    gif.com screencaptures

    GIF possibilities created and suggested by gifs.com algorithms gif.com

    The GIF below was created by the algorithms at gifs.com. It was extremely simple. Thanks to this article on Gtricks. I learned how to upload on gifs.com .
    Gif artwork

    Gif artwork

    This project is a collaboration with the software and algorithms of gifs.com About the fingernails... they were real. I will write about this later, but they were a personal art project.

For Arleen Schloss (a poem)

This poem first appeared on Softblow, a  Singapore-bases website for poetry. Arleen's work greatly influenced me. I worked on a few videos with her and she is one of the artists in the SPOKEN virtual gallery  I produced with Eugene Soh. For Arleen Schloss  "The world is a collage"
All of the following words describe scenes. All of these scenes contain signs. The signs may not obvious, but they are there. In some cases, there may be a large number of signs, in which case, all are to be included. The colors of the signs, the numbers on the signs and the text and language of the signs are to be emotionally and chaotically combined on one huge imaginary and ever-present canvas, a painting dedicated to Arlene Schloss. The signs exist in the following situations: Nurses talking near hospitals before they begin work on autumn days when the moon is full, mailmen who drink canned coffee by themselves, retirement age janitors at the Louvre looking over new tools, miners in dangerous elevators, mechanics with legs sticking out from underneath cars with oily radios pouring out 20 year old music in the background, people with hangovers standing near open graves, hippos that go into the ocean, gardeners driving to buy trees with roots wrapped in burlap, people leaving yellow cabs in a hurry at night, an urban area full of people flying kites, parades in cold weather, parades in hot weather, soccer games, baseball games, snow on windowsills that overlook Broome Street, mushroom hunters on private property, tennis games, weavers of silk carpets, football practice, smugglers who do so to feed their children, archery ranges, barbecues for groups of people ranging from three to three thousand, streets being paved for the first time, clothes being hung to dry, hunters who do not drink when they are hunting, the tallest building in Manila, fishermen who drink but stay on shore, fireman, the drawers of mothers of Texans, trappers who do so with respect, amusement park employees who have lost their keys, children who sleep in tents in their backyards, photographers stranded in Mozambique, moviemakers who sleep well, people who use handphones during meetings and housepainters who do a good job. Places where elephants are, shelves full of books about ferns, silver airplanes that seem like paralyzed flying birds, the happiest person in Uganda, red weather balloons, magazines launched in the '70s, instructions for assembling tents, Vietnamese tour guides, the cost breakdown for a satellite dish to be installed in Yugoslavia, ugly public sculptures, the Vatican, Domino Pizza, Mecca, the Holy Land, toothpaste factories, a place where a picnic table was accidentally burned, a barnyard, a waterfall, flocks of thin white birds, grey lines of highways, the only stuffed armadillo to be found in South Africa, lakes holding sailboats, a Paris metro ticket, canoes on rivers, the oceans slapping big ships, the most loved Swedish politician, the most elegant shoe store in Mumbai, fog eating a city, organic apple orchards, alphabets, Christmas tree farms, strip mined landscapes, desserts full of unwanted testing, an environmentally friendly golf course, a fireworks display watched by an Amish family in a bus station between Chicago and Kansas City, bonfires, the diets of djs, traffic accidents as a result of animals crossing highways, unemployed male prostitutes in Taipei, railroads used by bikers, places that serve take out prata, housing subdivisions, the Empire State Building, the Pyramids, the shopping list of newlyweds in Bowling Green, Ohio, the first Chinese cookbook in Peru, the Tokyo Dome, a kindergarten in Bonn, the most depressing high school in Teaneck New Jersey, the harbor of Rio de Janiero during an eclipse, the Great Wall of China being discused by mathematicians, Red Squarebeing discussed by visiting Irish tourists, Kmarts in Canada, driving schools, elephant orphanages, missile testing ranges, forest fires, a Gutamelan dentist's office, power plants in Minsk, black boxes of intergalactic spacecraft, Kyoto florists located within the train station, the insects which live in the main Xian post office, the humidity within the Sydney Opera House, the deli on the corner, New Orleans classical musicians, Microsoft paper useage files, cloud seeding programs, glider competitions in Norway, ancient light houses, beaches where there are no beach towels, umbrellas on Avenue A, Coney Island, the dreams of a Singaporean civil servant, a painting of the the Great Lakes hanging in a Green Bay bar, the video collection to be found on a typical North Sea oil rig, the Rocky Mountains, the garage of the grandson of Dali's least favorite barber, the Amazon, the Urals, the Andes, the Great Rock, Mt. Fuji, the Pyrennees, Ireland, India, Idaho, Inokashira, Iran, Iraq, Iowa, people on horses, goats in trees, the Statue of Liberty, every bridge in the world, every phone line in the world, every bit of dust on Broome Street, every modem, every email ever written in Spanish and the oceans.

Tiong Bahru Mouth: Tiong Bahru Teochew Kueh

Tiong Bahru Mouth

This post documents progress on Tiong Bahru Mouth, which is a collection of short stories and a visual art project, both by Stephen Black. Visual art, in this case, means photographs, videos and 360 videos. There is also a haiku component which is hidden on the internet. PHOTOGRAPHS http://www.blacksteps.tv/tiong-bahru-mouth-images/ VIDEOS Coffee and Light Tiong Bahru Mouth Wakes Up Jian Boh Shui Kueh at Sunrise Tiong Bahru Teochew Kueh Tiong Bahru Teochew Kueh glutinous rice packing Galicier Counter at CNY Two Friends in a Hardware Shop A Couple Descending  

Tiong Bahru Mouth: Coffee and Light

Tiong Bahru Mouth Wakes Up

Virtual Reality for Artists Workshop/Michael Naimark/Objectifs

I must thank Objectifs and Michael Naimark. Wow! For the past few years I have been taking notes and making blog posts for a book about cinematography in the age of VR, AR, AI etc.  Suddenly, I learn about Virtual Reality for Artists, a workshop organized by Objectifs. The workshop is by Michael Naimark, whom I know nothing about. I do sign up immediately, however, as he was Google's first resident artist.

I walk in early.Michael is writing something on the whiteboard: https://medium.com/@michaelnaimark/vr-cinematography-studies-for-google-8a2681317b3#.ra9zaxwfd

WOW!

I introduce myself and make it very clear that I am working on a book about  VR cinematography and had no idea of his work. "Not here to steal your fire and will credit you always". Michael, from the "artist as bridge school" seems fine with the situation. ((Note: That link above, in which Michael explains  a VR test he did, is an absolute must for anyone serious about VR.)

So, without further ado, I present my notes. They are in no particular order, a fact that becomes immediately obvious.

Transmedia

Nodal point

http://thomas-schwenger.de/index.php?ch=kh&sub=sub_tt&pg=npe http://www.vrphotography.com/data/pages/techtutorials/technotes/nodalptalign-tn.html Matterport http://www.forbes.com/sites/robertadams/2016/09/07/virtual-reality-is-about-to-revolutionize-these-three-industries/#3ae6fc4a7228

"So much is undefined"

"First word art, last word art"

Branching movies

interactive movies intimate space Camera based reality

Camera based reality + modeling

The Rocky of VR

Daydream........................... point of view

Modal VR

Tango

https://www.cnet.com/news/googles-tango-phone-a-preview-of-2017-augmented-reality/ http://www.theverge.com/2016/5/12/11663654/google-project-tango-expansion-vr-indoor-mapping-android Nolan Bushell on the future of storytelling https://www.engadget.com/2016/10/12/atari-co-founder-launches-modal-vr/

Kevin Kelley

poverty porn

The Czech? interactive movie made by changing lens caps on projectors. scenes of same duration,

https://books.google.com.sg/books?id=zVUEAAAAMBAJ&pg=PA31&dq=Kinoautomat+Raduz&hl=en&sa=X&ved=0ahUKEwju7L2W_PDQAhXIOI8KHdgpC8EQ6AEIKzAD#v=onepage&q=Kinoautomat%20Raduz&f=false

bullet screen

Driving While Black

The realities of arcades.

User centered design

Imax VR

Ghostbusters

https://en.wikipedia.org/wiki/Michael_Naimark

IMU first person POV

VR journalism

directed attention 65 %

SNAP vs. Google Glass

Camera that Changed the World

Pan, tilt and roll-camera directions

hyperlapse- take out the wobble

Hollywood vs. Silicon Valley

Facebook VR camera stabilization

Magic Leap

Hololens

size of display is arbitrary

Action cams

Anything where hands are involved

The feeling of being there

Robert Flaherty Documentary

Richard Deskin

Occlusion missing data

bulls eye

steadycam artists

you don't have to fill the whole 360

vr. cinematography studies  #3 you should see the whites of her eyes

ears are easy to fool. eyes are hard to fool

the content's relationship to the medium

a mixing board, to "duplicate" reality

flight simulator

multiple viewers in a shared space

VR..the intimate space, right in front of you Gamers know this

Cineoramas 1900 Paris Exposition

Representing people in VR

Equirectangular sections; the map makers' problem

orthoscopic: everything is is scale

no zooming

first person point of view

walking together

How the West Was Won

intimate language

nadir hole

ambisonic sound

Riftcam http://riftcam.com/#why180 Google Killed a Donkey binaural microphone

Jean Ropuch

Richard Leacock

Cannot look around; cannot sway. Navigation

Manipulation

Cinematic branching

https://books.google.com.sg/books?id=hRtBAQAAQBAJ&pg=PT77&lpg=PT77&dq=cinematic+branching&source=bl&ots=yuz5O7_Q6T&sig=GrJaO7CvY_kh_5D4kMgkF8b8PrQ&hl=en&sa=X&ved=0ahUKEwjJnd-v-_DQAhUSSY8KHYvRBfQ4FBDoAQgwMAQ#v=onepage&q=cinematic%20branching&f=false http://www.gamasutra.com/blogs/AlexanderFreed/20140909/225281/Branching_Conversation_Systems_and_the_Working_Writer_Part_2_Design_Considerations.php ears easy to fool; eyes difficult Abel Gance 1927 Napoleon Jeff Lynch   ???? Matterport    

A brief introduction to Michael Naimark, media art guru

 

(the photo used at the top of this post was obtained from Pinterest, where the following credit was provided: Michael Naimark, media art guru. | KR8V | Pinterest | Medium Art, Aspen and Michael O'keefe I did not create the image, am using it without permission and I hope that is OK. )

On December 10, 2016, I was fortunate to attend a small workshop conducted by Michael. Michael was extremely informative and his personality allowed everyone to ask questions and share information freely. I have a separate post about notes taken during the workshop. It was great!

This post serves as an introduction to Michael's work.

His website:

http://www.naimark.net/

The following is from his website:

VR-Related Presentations & Publications (1981 - 2016)

Selected News Upcoming Dec 10: Visiting Instructor, “Virtual Reality for Artists”, Objectifs Centre for Photography and Film, Singapore Upcoming Dec 7: Opening Keynote, “The Digital in Cultural Spaces”, National Museum of Singapore. Oct: #5 in "25 of VR's Greatest Innovators," Polygon. Oct: "VR Interactivity: Some Useful Distinctions," Medium.com. Oct: Invited Presentation, Digital Futures Program, Ontario College of Art and Design, Toronto. Oct: Opening Keynote, First VR Creative Doc Lab, Canadian Film Centre, Toronto. (news story) Oct: Opening Keynote, "Weird Reality: New and Independent Visions of Head-Mounted Art and Code," CMU. Sep: Quoted, Pioneers of Virtual Reality Art, Financial Times, London Sep: Guest presentation, USC Cinema "Technologies of Presence" class of Scott Fisher. Sep: Guest presentation, UC Berkeley Haas School of Business "Social Media and Social Movements" class of David Evan Harris. Jun: "VR Cinematography Studies for Google," Medium.com. Apr: Quoted, "Fantastic Radio Show about VR, c.1992," Boing Boing, Apr 25, 2016. Feb: Presentation, "Cameras, Interactivity, and VR", NYU ITP.