Category Archives: Singapore

Publishing as a Discourse Marker

From Wikipedia: In Practical English Usage, Michael Swan defines a discourse marker as "a word or expression which shows the connection between what is being said and the wider context". For him, a discourse marker is something that either connects a sentence to what comes before or after, or indicates a speaker's attitude to what he is saying. He gives three examples: on the other hand; frankly; as a matter of fact.[5] Ian McCormick's The Art of Connection[6] outlines nine classes of connectives based on their purpose:

to provide a sense of where something is in relation to something else;

to supply a sense of when something is happening;

to compare two ideas and express similarities;

to contrast ideas English provides many examples to signal the notion of difference;

to present additional or supplementary ideas;

to indicate that a point in a discussion has been conceded or already taken into account;

to demonstrate a sense of logical sequence;

to offer an illustration or an example;

to deliver a summary of the ideas discussed.

McCormick points out that "FANBOYS" is mnemonic to recall co-ordinating conjunctions: for, and, nor, but, or, yet, so.

5.30 – 7.00pm

Publishing Independently

What is the potential of self-initiated publications as a form of artistic collaboration? What are the benefits and pitfalls of self-publishing versus traditional publishing, and how does it contribute to the cultural field? This panel will explore recent developments in self-publishing and what necessitates these forms of independent production.

Speakers:

Ringo Bunoan (Philippines), artist and co-Founder, Art Book Philippines

Savannah Gorton (Germany/Denmark), curator and co-Founder, Friends with Books

Beatrix Pang (Hong Kong), Founder, Small Tune Press

Stephen Black (Around China) artist, writer and Founder Book Merah

Moderated by Shubigi Rao (India/Singapore), artist

Uber Return Trip

The squawking stopped when the door opened. The biggest crow stared with its mouth open, then hopped in. It saw a grain of rice on the floor; it ate it. Two males walked closer, then flapped their wings to get inside.

Seven loud crows are now in the car. There are no more grains of rice. The door closes. The car’s voice sounds like a smiling British actress, "Good morning! Where shall we go today?” Beaks become fast yellow scissors, cutting the air into shrill shreds of anger, hunger and fear. The car drives off.

At the border, the scanners, scales and sensors work perfectly: the car is determined to be empty. The car heads towards Kallang.

Fortississimo: Caw! Caw! Caw!

The crows' fury, the driver's perfection: Singapore.

The word “Singapore” in three poems

The Pompeii of Allegan County

Five black and white aerial photographs.

The first from before the dune buggy business;

a landscape of sand and tires being the fifth.

Your trees were eaten by a big shouldered city

and you choked on sand.

Now there's a panel discussion about your warm shoulders

and a frozen steamer shipwreck buys you meals.

“Show me the lions!“ you spill,

leaning on a dark afternoon of

Pistons and Cubs in a Main Street bar.

“TripAdvisor is poetry, but soullessly so.”

I disagree.

“Like this: killer crazybumpy dune buggy rides!”

We honk at cows, castles of Amway, and baby food mansions.

A cedar waxwing, whistling and sighing. Black River Street.

Cakes Alive.

Truck stop: Amish beards and dresses, Saugatuck couples and “visiting whatevers”.

At the Singapore Yacht Club: oranges and a selfie with clouds.

A bell made from a circular saw; buried in sand.

Loud and clear.

That kiss, in a ghost town of boats.

Loud and clear.

....................................

Dreaming Around

The pink room dream

The dream of a canoe

The family after-dinner badminton by the lake dream

Dreaming on Greyhound

Super 8 dream

Those save the robots dreams

Sakura dreams

My dream love

A dream of giving birth

The Singaporean dream

Goodbye dream, goodbye

I have a dream of reunions and forgiveness

The pink room dream

.......................................

Doug

Julie says 35 people are there,

there because they love you.

I would hide too.

You’ve got a divine chariot to catch

and those 35 whispering sleepwalkers

just want to touch you

one last time.

Doug: breathe...

That's a heavy thought,

easy to say as I watch the sky in Singapore.

But breathe again, Doug... please.

Now I remember: the King Cole Pizza place.

You're sitting there;

Lewis and Alexis.

Summer, Friday night.

They're boxing it up;

We’re smelling that pizza.

We’re 18 and we like it. Love it.18,18...

Hair’s lookin’ good.

Blue denim jacket,

the rock and roll Falcon’s outside.

You’re cool as Van Halen

Man, that pizza smells good...

red dot SAD (Stories, Art, Digitalia 2002-2017)

red dot SAD is a collection of stories, essays and images created during Stephen Black's fifteen years in Southeast Asia, mainly in Singapore. An American who has also lived in Tokyo, Manhattan, Hong Kong and Paris, the book documents a creative life that knows no boundaries.

Topics include virtual reality, performance art, network television, food, music, photography, and art projects of all kinds. Physical locations range from an abandoned "haunted" hotel to facilities stacked with IT machinery, from wet markets and beaches to construction sites, the Singapore Biennale, and government built housing complexes. For those interested in Singapore and anyone who enjoys visual arts and well-researched, dynamic writing.

red dot SAD is also an experiment. Presently the book is about 150 pages. Eventually the book will be printed on paper. Those who buy the earlier editions of the ebook receive the updated versions free of charge. For more information on how red dot SAD is re-inventing Amazon and crowdfunding, click here.

To see the current list of topics, click here.

red dot SAD on Amazon

Reviews of i ate tiong bahru, Black's bestselling book are here.

Interviews with Stephen Black and descriptions of his other books are here.

minimal book covers

red dot SAD (Stories Art, Digitalia 2002-2017) book by Stephen Black

Hummingbird vs. Helicopter

The following is inspired by a piece by Gerald Leow on display as part of his solo exhibition at Chan+Hampe Contemporary until June 25.

On a material level, Manifold is simple: a dynamic, radiating metal sculpture made of copies of the same jagged line. These lines are like flattened appendages of a predatory insect, or sentences written in a spiky font. The pieces are colored asymmetrically; seven tones shifting between purple and orange. Manifold is bold, yet delicate-- an opening and a threat. Leow has been quoted as saying that he wanted to create works which are poetically violent. He has succeeded. Manifold is a beautiful but deadly tropical flower, 76 x 76 x 17cm.

The “edginess” of the sculpture is literal; the aggressive shapes on the edges of the lines form negative spaces which complete the piece. These edges are appropriated from the font and logo used by Judas Priest, a heavy metal band. Leow, who studied sociology, has a body of work based on the logo and the conceptual possibilities of heavy metal subculture. With Manifold, however, the link to heavy metal is not obvious, thankfully. Appropriation can be a one-trick pony; what is insightful and magical initially can later become an unrewarding burden for both artist and audience.

The exhibition’s title adds another dimension. I am Time Grown Old to Destroy the World refers to a comment Robert Oppenheimer made in 1945, when he witnessed the detonation of his brainchild, the first atomic bomb. The phrase is from the Mahabharata, specifically the Bhagavad Gita. A passage of 700 verses, the Gita documents the exchange between Prince Arujuna and Lord Krishna as they discuss war, duty and moral confusion.

contemporary sculpture in Singapore

Manifold from Leow's exhibition at Chan+Hori Contemporary Gallery in Singapore

Southeast Asian artwork made of mild steel, automotive paint and western pop culture. It is real.  It has universal significance. Manifold is an artwork worthy of its most serious sources of inspiration: the Mahabharata and the atomic bomb.

…………………………………………30……………………………………

I am elaborating upon this essay, including other projects of Gerald's as well as some of our collaborations and personal experiences. The result will be included in red dot SAD which is updated periodically.

Self-portrait as a Game

Hong Kong 1995: to pay the bills you work as a promo producer for Cartoon Network/Turner Classic Movies. At a wild party in a hair salon on a Sunday morning,  a beautiful Japanese woman says you should meet Seki, because, “he’s a genius.” You:
  1. Get Seki's contact info
  2. Thank her and misbehave
You show up at Seki’s. Your eyes immediately become glued to:
  1. Seki, a short, charming man with a moustache; part Mr. Magoo, part card shark
  2. The wireframe mode of a lens displayed on his laptop
  3. The postcards of rabbits on Seki's wall
The Handover of Hong Kong from Great Britain to China is over and you have become a freelancer. You get a job as a producer for CNN, a music program called Worldbeat. You  go to Singapore to cover the WOMAD Festival, with the help of a fantastic assistant and a great cameraman. As you get back onto the plane to return to Hong Kong, you think:
  1. I ‘m never coming back here again.
  2. What a fascinating multicultural, cosmopolitan first world country.  A truly desirable and charming place in which to reside!
You are now in Tokyo, to  set up and manage the six television channels operated by Fox, who have just set up operations in Japan. That contract ends and you write a movie script and search out ways to produce the film. Eventually you have to leave and re-enter the country for visa reasons. You go to:
  1. Shanghai
  2. Singapore
Singapore is where has Seki set up his $3.2  million  startup. The company has two divisions: one is doing something like Youtube; a platform for user-generated video content. (This is three years before Youtube.) The other division is creating a 3D/VR software for game development. The software is educational and entertaining and you have never seen anything like it. Seki asks you to join him, for a reasonable salary and a stake in the company. You:
  1. Join Seki
  2. Return to Tokyo to make a film
October 24, Singapore Science Center. Two years after joining Seki, the gamemaking software will premiere as part of the  three-month long Planet Games exhibition at the Singapore Science Center. You set up a small table with a large monitor and big CPU. Next to you is a large maze made out of plastic sheets;  something called AR Pacman. You and the AR Pacman team are the ony exhibitors in the Future section. Finally after more than ten years of hard work, Seki’s dream is a reality. The morning of the premiere, Seki:
  1. Dies from a heart attack
  2. Announces plans for the IPO
...to be continued....

Tiong Bahru Mouth: A Couple Descending

Tiong Bahru Mouth

This post documents progress on Tiong Bahru Mouth, which is a collection of short stories and a visual art project, both by Stephen Black. Visual art, in this case, means photographs, videos and 360 videos. There is also a haiku component which is hidden on the internet. PHOTOGRAPHS http://www.blacksteps.tv/tiong-bahru-mouth-images/ VIDEOS Coffee and Light Tiong Bahru Mouth Wakes Up Jian Boh Shui Kueh at Sunrise Tiong Bahru Teochew Kueh Tiong Bahru Teochew Kueh glutinous rice packing Galicier Counter at CNY Two Friends in a Hardware Shop A Couple Descending  

Cinematography 8.0: VR (best of blog posts 2016) part 3

the previous post:
Cinematography 8.0: VR (best of blog posts, 2016)part 2
Five things I Learned on my first 360 VR shoot: Pioneer/avante-garde/visionary… flop!?
Five things I Learned on my first 360 VR shoot: just because you can…
Five things I learned on my first 360 VR shoot: The Director is Blind
 
Beach Road short film (360 video)
Five things I learned on my first 360 VR shoot: Bobsledding vs. Skateboarding
360 Videography: What would Matisse do?
the first name for Beach Road was Wall Clouding...
Wall Clouding
Wall Clouding preproduction notes
Angelic Visions Notes
cinematography_cover_221116_576_1024_v3
Immersive Environments/VR: Notes on Art and Cinematography
SPOKEN Machinima Notes
SB & 3D (Why I’m excited to be in Eugene Soh’s virtual gallery project)
SPOKEN (virtual art gallery and writing project)
               

Cinematography 8.0: VR (best of blog posts, 2016)part 1

Cinematography 8.0: light and motion in the age of VR, AR, AI, 4K, 8K, AI and drones... the working of the book I am working on. The experiences and information in these posts will shape the book. Comments and questions are always welcome.

http://www.blacksteps.tv/stephen-black-vr-art-books-and-singapore/ (Hey, who's driving this thing?)

http://www.blacksteps.tv/riffs-on-vives-vr-development-bootcamp-at-digipen-part-1/ (If you know nothing about VR content, take a few weeks and really go over this. If you have been making VR content, especially CG-generated, this is a great review of state of the art in 2016.)

http://www.blacksteps.tv/riffs-on-viveasiavrs-vr-development-bootcamp-at-digipen-part-2/ (see above)

http://www.blacksteps.tv/cinematography-8-0-light-and-motion-in-the-age-of-vr-360-4k-8kar-ai-cg-and-drones/ ( A bit about the book)

http://www.blacksteps.tv/he-once-hitchhiked-morning-chat-with-reed-hastings-ceo-netflix-disruption-culture-people-and-leadership/ (Netflix, obviously, are but one of the millions of companies that benefit from the art of cinematography.)

http://www.blacksteps.tv/facebook-livewhat-would-andy-warhol-do/

http://www.blacksteps.tv/notes-on-my-first-two-facebook-live-shoots/

http://www.blacksteps.tv/vr-what-would-picasso-do-notes-and-links/

http://www.blacksteps.tv/what-should-the-new-york-times-sound-like/

http://www.blacksteps.tv/aspects-of-vr-in-bali-wave-ghost-the-novel-by-stephen-black/

http://www.blacksteps.tv/mee-young-photography-project-internal-logic/

http://www.blacksteps.tv/the-cinematography-booknotes-and-eugene-soh/

http://www.blacksteps.tv/the-cinematography-booknotes-and-a-reviewer/

http://www.blacksteps.tv/kind-of-the-vr-state-of-the-union-as-of-march-30-2016-part-1-of-2/ (Things change so much and I became so busy that writing the second part didn't happen)

END OF PART 1

PART 2 IS HERE