Tiong Bahru Mouth: Two Friends in a Hardware Shop

Tiong Bahru Mouth: Galicier Counter at CNY

Tiong Bahru Mouth: Tiong Bahru Teochew Kueh glutinous rice packing

Tiong Bahru Mouth: Tiong Bahru Teochew Kueh

Tiong Bahru Mouth

This post documents progress on Tiong Bahru Mouth, which is a collection of short stories and a visual art project, both by Stephen Black. Visual art, in this case, means photographs, videos and 360 videos. There is also a haiku component which is hidden on the internet. PHOTOGRAPHS http://www.blacksteps.tv/tiong-bahru-mouth-images/ VIDEOS Coffee and Light Tiong Bahru Mouth Wakes Up Jian Boh Shui Kueh at Sunrise Tiong Bahru Teochew Kueh Tiong Bahru Teochew Kueh glutinous rice packing Galicier Counter at CNY Two Friends in a Hardware Shop A Couple Descending  

Tiong Bahru Mouth: Coffee and Light

Tiong Bahru Mouth Wakes Up

Tiong Bahru Mouth: Jian Boh Shui Kueh at Sunrise

Self-Publishing: An Insult To The Written Word (my comments in red)

To: Laurie Gogh, traditionally published author of several books, including Kite Strings of the Southern Cross: A Woman's Travel Odyssey

  Fm: Artist/VR producer  Stephen Black, self-published author, including the bestseller i ate tiong bahru.(2000 paperback copies sold, with no media coverage nor advertising) Re: Your recent submission to the Huffington Post   Dear Ms. Gogh, Thank you for your submission to the Huffington Post. We at the Huffington Post are aware of, and truly appreciate, the time and effort it takes to write an outstanding essay. We sincerely hope the following notes from one of our  editors will assist you on your journey towards becoming an outstanding writer. All the best to you. Sincerely, Submissions Desk at the Huffington Post  (JUST KIDDING.) Self-Publishing: An Insult to the Written Word Laurie, Fantastic title! Clickbait yet literary!
As a published author, people often ask me why I don’t self-publish. “Surely you’d make more money if you got to keep most of the profits rather than the publisher,” they say. Laurie, wonderful opening paragraph. A few things: a. add sales figures. Can't go wrong with sales figures.   b. your awards. Can you weave these in, in a punchy way? c. how about "Surely you'd make much more money or...much, much more money..."😉 And hey, just between you and me... haven't you considered self-publishing? What do you make per book? Forty, fifty cents? Do publishers still line up promotional tours these days?How's your backlist moving?  
I’d rather share a cabin on a Disney cruise with Donald Trump than self-publish. Can I try to arrange that?  Ha ha! Actually it is a great line. Can you open with it? However, you'd have to come up with a follow up paragraph that would outline why you cannot see yourself in the world of self-publishing.
To get a book published in the traditional way, and for people to actually respect it and want to read it(Can we rethink this? must we associate the word "respect" with traditional publishing?  +... want to read--or want to buy? 🙂 — you have to go through the gatekeepers of agents, publishers, editors, national and international reviewers. Laurie, let's make this really work for us: can you make it personal and mention your editors' names?..and OOPS! Your sentence begins with "to get a book published... you have to go through agents, blablabla national and international reviewers". Reviewers aren't necessary to to get a book published, are they? Don't reviewers add value AFTER a book is finished? Remember, Laurie, we have to be clear and exact...we're not self-publishers, are we? lol These gatekeepers are assessing whether or not your work is any good. BLEH! Gatekeepers assure readers of quality. Something like that. Readers expect books to have passed through all the gates(repetitious), to be vetted by professionals. Just like Fifty Shades and Wool and all of those wonderful books by Joe Konrath, who has sold millions. This system doesn’t always work out perfectly, but it’s the best system we have. Laurie, let's rethink those last two lines. Readers don't expect those things, though the world would be a better place if more readers did. For now, we will feign ignorance of excellent services like Reedsy.
Good writers only become good because they’ve undertaken an apprenticeship. Yes! The craft of writing is a life’s work. Yes!It takes at least a decade to become a decent writer, tens of thousands of hours. Your favorite authors might have spent years writing works that were rejected. But if a writer is serious about her craft, she’ll keep working at it, year after year.Yes! At the end of her self-imposed(move this 'self-imposed' up so that it modifies the first 'apprenticeship') apprenticeship, she’ll be relieved that her first works were rejected because only now(rethink your use of tense here!) can she see how bad they were. Laurie, isn't it also possible for self-publishers to have their work rejected, in many ways? If an honest friend or a teacher who was a serious reader told you that your book was unreadable, would that be better or worse than an unsigned rejection form letter from the office of an agent or publisher?
Did you ever hear what Margaret Atwood said at a party to a brain surgeon? Rewrite, does not sound literary. At. all. When the brain surgeon found out what she did for a living, he said, “Oh, you’re a writer! When I retire I’m going to write a book.” Margaret Atwood said coolly replied, “Great! When I retire I’m going to be a brain surgeon!”An anecdote Laurie, well done!
The irony is that now that brain surgeon really could dash off a “book” in a of couple months, click “publish” on a Amazon, and he’s off signing books at the bookstore. Laurie, can we link to where Amazon provides this service?  lol Just like Margaret Atwood, he’s a “published” author. Who cares if his book is something that his grade nine teacher might have wanted to crumple into the trash? It’s a “published” book. Laurie, perhaps we can give this a little rethink? I think I read that most self-published books sell much less than a 100 copies. I doubt a bookstore would automatically share their valuable resources with just anyone, self-published or traditional. So, it might seem that a popular author such as yourself is uninformed and writing with an ink made from sour grapes. And, when something is badly written, do we toss/throw/dump it into the trash or do we crumple it and then throw it into the trash? And, what do we do if the amateurish writing is digital, like an ebook or an online article?
The problem with self-publishing is that it requires zero gatekeepers. From what I’ve seen of it, self-publishing is an insult to the written word, the craft of writing, and the tradition of literature. As an editor, I’ve tackled trying to edit the very worst writing that people plan on self-publishing just because they can. Wow... that last line may not technically be a run on...but it ain't no dancer! And Laurie, dear, are all traditionally published books worthy of the tradition of literature? Dangerous waters here! And,what percentage of self-published books have you read? Aren't there also gatekeepers in self-publishing; that is curators? Or even Goodreads! Only an idiot would pick up ANY book without doing any sort of checking, regardless of how it was published. And, historically, there have been some noteworthy self-published works. I certainly know what you mean about editing bad writing.
I’m a horrible singer. But I like singing so let’s say I decide to take some singing lessons. A month later I go to my neighbor’s basement because he has recording equipment. I screech into his microphone and he cuts me a CD. I hire a designer to make a stylish CD cover. Voilà. I have a CD and am now just like all the other musicians with CDs.
Except I’m not. Everyone knows I’m a tuneless clod but something about that CD validates me as a musician.(Does "something" about that object truly validate you? And, the example of you screeching/recording a CD feels like an unnecessary repetition of the doctor story above. Pick one.) It’s the same with writers who self-publish. Literally anyone can do it, including a seven-year-old I know who is a “published” author because her teacher got the entire class to write stories and publish them on Amazon. It’s cute, but when adults do it, maybe not so cute. With the firestorm of self-published books unleashed on the world, I fear that writing itself is becoming devalued. Gosh, Laurie, I agree with you. But so far, your piece isn't realizing its full potential and could come across as an unresearched rant. Can you spend some time going through some bestselling self-published books and then tear them apart? It'll be a breeze and make for a better, strong essay. Grrrr.. you go girl! Devalued writing is not for us!
I have nothing against people who want to self-publish, especially if they’re elderly. Thank you for that! Me too! Perhaps they want to write their life story and have no time to learn how to write well enough to be published traditionally. Laurie, just say that they are going to die soon! Death adds drama! Make this piece come alive!  It makes a great gift for their grandchildren. But self-publishing needs to be labelled as such.Memo to self: get Amazon to create a category for people who quickly write and self-publish books before they die but do not have the time to become great writers like Laurie. The only similarity between published and self-published books is they each have words on pages inside a cover. Rewrite. Clunky. Maybe something like: Self-published and published books share one thing: words on pages between covers. Or something like that. Laurie, you're the wordsmith:) Oh... we should say "traditionally" published. The similarities end there. And every single self-published book I’ve tried to read has shown me exactly(not approximately? lol) why the person had to resort to self-publishing. These people haven’t taken the decade, or, in many cases, even six months(I believe the correct amount of time should be six months 18 days. lol), to learn the very basics of writing, such as ‘show, don’t tell,’ or how to create a scene, or that clichés not only kill writing but bludgeon it with a sledgehammer.cliché in  a sentence that is 40+ words long. Intentional, right? Sometimes they don’t even know grammar.
Author Brad Thor (what has he written?) agrees: “The important role that publishers fill is to separate the wheat from the chaff. If you’re a good writer and have a great book you should be able to get a publishing contract.” Laurie, can we give that quote a rethink? Not only is it bland and kinda wrong, but the cliché police are on their way...lol)
Author Sue Grafton ( she wrote...what?) said, “To me, it seems disrespectful...that a ‘wannabe’ assumes it’s all so easy and s/he can put out a ‘published novel’ without bothering to read, study, or do the research. ... Self-publishing is a short cut(Hey Laurie, FWIW, my books usually take close to three years to write and research, at least two months of that time winning and losing battles against the world champion editor Vikki Weston) and I don’t believe in short cuts when it comes to the arts. I compare self-publishing to a student managing to conquer Five Easy Pieces on the piano and then wondering if s/he’s ready to be booked into Carnegie Hall.” Laurie, if you want to criticize self-publishing, again I suggest a better strategy is for us to pick apart some of the self-published bestsellers that have sold, for whatever reason, tens or hundreds of thousands of copies, like your books have. These quotes you've chosen have nothing to do with your opening which is about economics and why you don't self-publish. And, please, do some research...with an open mind.
Writing is hard work, but the act of writing can also be thrilling, enriching your life beyond reason when you know you’re finally nailing a certain feeling with the perfect verb. 31words, all "beyond reason" and smooth as buttahhh lol It might take a long time to find that perfect verb.(it might never happen and you end up making a clumsy sentence that is a weird present/future continuous perfect tense) But that’s how art works. Writing is an art deserving our esteem. (Writing is an artform that deserves our respect. Writing is an art form that should be held in high esteem. Ya wanna wrestle? lol) It shouldn’t be something that you can take up as a hobby one afternoon and a month later, key in your credit card number to CreateSpace or Kindle Direct Publishing before sitting back waiting for a stack of books to arrive at your door...before being taken down to the bookstore for a signing and massive sales by sheep/buyers who do not recognize works of literary merit. lol. That sentence is 40 words long, clumsy and repetitious. Laurie, we get it, we get it: the doctor can self-publish, the seven year old can self-publish it, anyone with a credit card can self-publish....EDIT
Let’s all give the written word the respect it deserves. Laurie, not a bad closing, but I am still left hanging by the question posed in your opening: why don't you self publish? Surely you could afford an editor and no longer need to fear gatekeepers? Please rethink this entire piece and give it the work it requires. Get rid of the repetition and, remember, facts speak volumes. Your opener suggests that self-publishers make more money than traditionally published authors--and you never touch this important aspect again. I'm afraid I can't run this piece as it is; feels too much like an "intelligent" rant by a wine-fortified semipro blogger. Good luck!
I do not know why my post looks fine when I write them, but have spacing problems when I publish them...

The potential of VR as a collage medium

Various notes without a single topic, but all related to the possibilities of immersive art and text. CG and 360 possibilities are innumerable and exciting...but aren't there also untapped resources in the traditional 2D artforms? What if someone like Virginia Fleck had a way to easily, and dramatically, present her works in VR?   I am just thinking out loud here...would love to hear your comments. OK...some links related to this. Oh yes... the image used at the top of this post was "borrowed" from the blog of Skarred Ghost, who is doing some amazing things with VR and full body presence.   Here is a link to one of his superb posts: on https://skarredghost.wordpress.com/2016/12/28/how-to-show-a-video-in-a-texture-with-unity-on-android/ ......................................................... Netflix home theatre in the Oculus.  http://techblog.netflix.com/2015/09/john-carmack-on-developing-netflix-app.html " The screens on the Gear VR supported phones are all 2560x1440 resolution, which is split in half to give each eye a 1280x1440 view that covers approximately 90 degrees of your field of view. If you have tried previous Oculus headsets, that is more than twice the pixel density of DK2, and four times the pixel density of DK1. That sounds like a pretty good resolution for videos until you consider that very few people want a TV screen to occupy a 90 degree field of view. Even quite large screens are usually placed far enough away to be about half of that in real life. The optics in the headset that magnify the image and allow your eyes to focus on it introduce both a significant spatial distortion and chromatic aberration that needs to be corrected. The distortion compresses the pixels together in the center and stretches them out towards the outside, which has the positive effect of giving a somewhat higher effective resolution in the middle where you tend to be looking, but it also means that there is no perfect resolution for content to be presented in. If you size it for the middle, it will need mip maps and waste pixels on the outside. If you size it for the outside, it will be stretched over multiple pixels in the center. For synthetic environments on mobile, we usually size our 3D renderings close to the outer range, about 1024x1024 pixels per eye, and let it be a little blurrier in the middle, because we care a lot about performance. On high end PC systems, even though the actual headset displays are lower resolution than Gear VR, sometimes higher resolution scenes are rendered to extract the maximum value from the display in the middle, even if the majority of the pixels wind up being blended together in a mip map for display. The Netflix UI is built around a 1280x720 resolution image. If that was rendered to a giant virtual TV covering 60 degrees of your field of view in the 1024x1024 eye buffer, you would have a very poor quality image as you would only be seeing a quarter of the pixels. If you had mip maps it would be a blurry mess, otherwise all the text would be aliased fizzing in and out as your head made tiny movements each frame. The technique we use to get around this is to have special code for just the screen part of the view that can directly sample a single textured rectangle after the necessary distortion calculations have been done, and blend that with the conventional eye buffers. These are our "Time Warp Layers". This has limited flexibility, but it gives us the best possible quality for virtual screens (and also the panoramic cube maps in Oculus 360 Photos). If you have a joypad bound to the phone, you can toggle this feature on and off by pressing the start button. It makes an enormous difference for the UI, and is a solid improvement for the video content. Still, it is drawing a 1280 pixel wide UI over maybe 900 pixels on the screen, so something has to give. Because of the nature of the distortion, the middle of the screen winds up stretching the image slightly, and you can discern every single pixel in the UI. As you get towards the outer edges, and especially the corners, more and more of the UI pixels get blended together. Some of the Netflix UI layout is a little unfortunate for this; small text in the corners is definitely harder to read. So forget 4K, or even full-HD. 720p HD is the highest resolution video you should even consider playing in a VR headset today. ................................................... http://alexchu.net/Presentation-VR-Design-Transitioning-from-a-2D-to-a-3D-Design-Paradigm ..................................... Dragon Front Card Game https://www.oculus.com/experiences/rift/999515523455801/ (Interesting in terms of card size/distance from viewer) For a card game, Dragon Front was an exhilarating experience that mixes the tense moments of high-level strategy play with the full-body escapism of VR. Yet after a few turns going back and forth, you start to completely forget that you're even playing a game with a headset on. The competition starts to feel as natural as a physical table-top experience, while the Rift just becomes an interface for your virtual showdown."
After just 10 minutes or so of tutorial playing, I was able to grasp the game's lengthy turn-based combat and try my hand at a real one-on-one fight with another human being in VR. For a card game, Dragon Front was an exhilarating experience that mixes the tense moments of high-level strategy play with the full-body escapism of VR. Yet after a few turns going back and forth, you start to completely forget that you're even playing a game with a headset on. The competition starts to feel as natural as a physical table-top experience, while the Rift just becomes an interface for your virtual showdown. Dragon Front makes you forget you're playing a VR game
Dragon Front has a couple fun quirks to amplify that sensation. For one, your opponent's face shows up as a omnipresent floating mask above their fortress, and it will mirror the direction of their gaze and facial expressions in real time so you can feel as if you're sitting across the table from the person. Dragon Front also relies on in-game voice chat so you can talk to your opponent as the game progresses.
So Dragon Front may not be the most immersive VR title out there or one you could show your parents to convince them of the technology's potential. But it's certainly a unique rethinking of the VR approach, one that will most certainly catch on as headsets like the Rift start becoming a more common way to play a wide variety of games and not just first-person experiences. ........................................................ MIKE ALGER!  
Great  piece by Vincent McCurley

From Vincent's article: Download the printable VR Storyboard template PDF via DropBox or just grab the image below. (THANK YOU VINCENT!)

VR Storyboard Template
Jessica Brillhart, VR Filmmaker http://www.jessicabrillhart.com/about/