Tag Archives: artists

Apophenia Near the Causeway

the following is being  rewritten and is very far from the most current version. the conversation I had with Alvin was great; this blog post is so-so...

Alvin Tan, photographed by Stephen Black at Art 52 Gallery, Johor Bahru, Malaysia

  Our greatest challenge may be learning to bear incoherence. “The officer pulled me into the search area. Went through my car, my wallet, my personal letters,” Alvin says without emotion. The incident took place about thirty years ago. ”A friend had handwritten the Chinese characters for ‘democracy’ on a flyer. The officer asked me about it and I said it was related to an artwork I had done.’ Don’t distribute this,’ he said, and he let me go.” Tiananmen Square,1989: we had been talking about it. At the time, I was living in Tokyo and working at ABC News. All of our cameramen and sound guys were over in Beijing. One had hidden an 8mm video camera in a box and documented the demonstration. One afternoon during that time I was at home with our baby. On TV a student demonstrator was asked a question; her carefully pronounced answer made a reference to Abraham Lincoln. I was moved to tears. Fragility, innocence and youth amidst an unplanned massive demonstration in the most influential historical area in Asian history. During Tiananmen Alvin had been involved at The Artists Village(TAV), the first artists commune in Singapore. He made an installation in an unused chicken coop, entitled Personal Views, China’s Democracy and there was Blood. Tang Da Wu did a performance within the installation. Tang Da Wu founded TAV and is regarded as the founder of contemporary art in Singapore. At the time, the influence of TAV was felt throughout Southeast Asia. Even now, TAV members like Lee Wen, Amanda Heng , Zai Kuning, Koh Nguang How, Vincent Leow and others are exhibiting work in Singapore and internationally; their works usually reflect the activism and sense of social responsibility that were part of the TAV experience. Koh Nguang How is a documentary artist now; he was working in a museum at the time and visited TAV whenever he could. In preparation for my interview with Alvin, I sent Koh a Facebook message, asking if he had any questions. Koh’s attention to detail is impressive; he told me Alvin’s wife is from Taiwan and that Alvin did not speak Mandarin. Koh wanted to ask me if Alvin had any problems teaching in English. Mandarin was the language being used at the Nanyang Academy of Fine Arts, where Alvin taught Western Art History, Aesthetics of Art and Psychology of Art.”Nanyang” is a Chinese phrase that translates as  “Southern Seas”, though it often refers to all of Southeast Asia. During the years that Alvin was teaching, Singapore was continuing to define itself.English became the language of instruction. Koh’s question highlights the complexities of language in Singapore, especially in regards to Chinese dialects. Mandarin is the one of the four official languages of Singapore and the official language of China. The word translates as “speech of officials”. “No, I didn’t have any problems, as English was so widely spoken. My classes became so popular we kept adding more. Even students who only spoke Mandarin wanted to attend. I told them they could, but that they would still have to write a term paper, even if they wrote it in Mandarin. Students were very hungry to learn about art then.” Alvin has studied in Oakland California, San Francisco, Kuala Lumpur and Rome. In Rome he became involved with a community and an exhibition, that made the most of an abandoned building owned by the Vatican. Those experiences prepared him for the possibilities of TAV. The Artists Village: in our conversation, silence often follow the phrase. Like the Impressionists in Paris, Andy Warhol in New York or Damien Hirst in London’s world of advertising, TAV is associated with a specific time and place. TAV is, perhaps, most noteworthy because it was a pioneering achievement. The internet, numerous art schools, globalization, the commodification of art and changes in government policy now make the Singaporean art world very different than it was in the Eighties. “We should not encourage escapism” is a phrase I wrote down years ago,  upon viewing an exhibition about Singaporean art in the Sixties. It felt like the Singaporean art world then was lost. Alvin mentioned the West’s first art critic, Giorgio Vasari and his book, Lives of the Artists. “A book about TAV is a good idea,” he says. I let the topic drift away. I could throw myself into creating a reading experience based upon the Artists Village, but I would not want to write a book about the Artists Village. A movie script, maybe, though where would the drama lie? Perhaps there were personal dramas at TAV: romances, scandals of some sort, infighting, egotism, probably betrayals: but if so, they are unrecorded. An unimaginative movie script would follow a three act structure: Act One: Tang Da Wu revolutionizes and modernizes Singapore’s contemporary art scene by establishing TAV and attracting the island-nation’s youngest, best and brightest. Act Two: Utopia at the end of a coconut tree-lined kampung dirt road; Pure Art, but with weekly visits by the police. Act Three; Exile and Loss. On our table is the catalogue of Alvin’s paintings, in which he wrote: I hope my paintings trigger an original sensation within the viewer; natural and freely formed  without history or preconditioning. And so it is with this writing; I hope to give you, the reader a sense of our conversation, a sense of the topics we touched upon. Alvin, TAV and the quiet street in Johor Bahru where we talked are all worthy of narrative writing. But I haven’t been inspired to write logically, just as Alvin is not inspired to paint realistic landscapes. Perhaps I am like an Expressionistic painter, using sentences and ideas instead of brushstrokes and pigments. Hijikata’s widow told me that her husband, the co-founder of butoh, and the writer Mishima and had fistfights over differences in aesthetics. Now...eyes glued to “smart”phones, plastic souls bury themselves in low-level radiation screen displays. Facebook comments pass for heated debate. Articles I want to read: TK Sabapathy. “No way out” The Strait Times, Singapore Art & Entertainment May 20, 1993 Jennifer Tan. “Art that faces up to problems of the world” City Weekly, Singapore. May 13, 1993 “No Bed of Roses For Alvin” New Straits Times, Malaysia October 28,1987. I learned the word “apophenia while researching the phenomenon of seeing faces in clouds, a concept I wanted to compare to the act of viewing Alvin’s paintings. I also discovered  molybdomany, shadow people, pareidolia, patternicity  and the work of Chonosuke Okamura , who won an Ig Noble Prize for his reports of finding tiny, tiny humans in ancient limestone. "There have been no changes in the bodies of mankind since the Silurian period,” Okamura wrote, ”except for a growth in stature from 3.5 mm to 1,700 mm." My word research also found this phrase; "a specific experience of an abnormal meaningfulness". Finally, this fact: a person withschizophrenia initially experiences delusion as revelation. If there are patterns in this text, I must find them, for discovering patterns where there seem to be none is a very good thing.  My life, my meeting with Alvin, the historical events that occurred within our lifetimes; there must be patterns. Banksy. The Beatles. The kway teow I’ve just eaten, the breeze and the frangipanis above us, the patterns of the tiles below. This is a Sunday afternoon, March 12, 2017. I met Alvin a week ago; our lives share some of the same patterns. Visas, passports and turnarounds. The last painting in Alvin’s catalogue, is called Late Arrival. I cannot judge his brushstrokes, nor if there is actually detail in the completely black areas. On the upper left of the painting, is a soft-edged raggedy flag-like shape of blue and blueish-white. Close to, and parallel with, the left edge of the painting is a warm brown horizontal shape like a tree branch or rifle. On the bottom right, a spike, the same tonality asthe brown on the left. Untitled Indigo is the name of first painting in the catalogue. It is a remaking of the yin yang symbol in soft fractions. A whirlpool. A map studied at twilight or dawn. Related post: http://www.blacksteps.tv/amanda-heng- performance-art- in-context- a-singaporean-perspective-by- lee-wen/ The italicized sentence which begins this essay is from an article which appeared on the Psychology Today website on July 31, 2012. Being Amused by Apophenia, waswritten by  Bruce Poulsen Ph.D. https://www.psychologytoday.com/blog/reality-play/201207/being- amused-apophenia Thank you very much Koh, and Eric/Art 52.

Coccoon by Alvin Tan and craftsmen from the Orang Asli community. Iskandar Puteri, Johor Malaysia  (2016) photo by Stephen Black

Tiong Bahru Mouth

This post documents progress on Tiong Bahru Mouth, which is a collection of short stories and a visual art project, both by Stephen Black. Visual art, in this case, means photographs, videos and 360 videos. There is also a haiku component which is hidden on the internet. PHOTOGRAPHS http://www.blacksteps.tv/tiong-bahru-mouth-images/ VIDEOS Coffee and Light Tiong Bahru Mouth Wakes Up Jian Boh Shui Kueh at Sunrise Tiong Bahru Teochew Kueh Tiong Bahru Teochew Kueh glutinous rice packing Galicier Counter at CNY Two Friends in a Hardware Shop A Couple Descending  

Virtual Reality for Artists Workshop/Michael Naimark/Objectifs

I must thank Objectifs and Michael Naimark. Wow! For the past few years I have been taking notes and making blog posts for a book about cinematography in the age of VR, AR, AI etc.  Suddenly, I learn about Virtual Reality for Artists, a workshop organized by Objectifs. The workshop is by Michael Naimark, whom I know nothing about. I do sign up immediately, however, as he was Google's first resident artist. I walk in early.Michael is writing something on the whiteboard: https://medium.com/@michaelnaimark/vr-cinematography-studies-for-google-8a2681317b3#.ra9zaxwfd WOW! I introduce myself and make it very clear that I am working on a book about  VR cinematography and had no idea of his work. "Not here to steal your fire and will credit you always". Michael, from the "artist as bridge school" seems fine with the situation. ((Note: That link above, in which Michael explains  a VR test he did, is an absolute must for anyone serious about VR.) So, without further ado, I present my notes. They are in no particular order, a fact that becomes immediately obvious. .................................. Transmedia Nodal point http://thomas-schwenger.de/index.php?ch=kh&sub=sub_tt&pg=npe http://www.vrphotography.com/data/pages/techtutorials/technotes/nodalptalign-tn.html Matterport http://www.forbes.com/sites/robertadams/2016/09/07/virtual-reality-is-about-to-revolutionize-these-three-industries/#3ae6fc4a7228 "So much is undefined" "First word art, last word art" Branching movies interactive movies intimate space Camera based reality Camera based reality + modeling The Rocky of VR Daydream........................... point of view Modal VR   Tango https://www.cnet.com/news/googles-tango-phone-a-preview-of-2017-augmented-reality/ http://www.theverge.com/2016/5/12/11663654/google-project-tango-expansion-vr-indoor-mapping-android Nolan Bushell on the future of storytelling https://www.engadget.com/2016/10/12/atari-co-founder-launches-modal-vr/ Kevin Kelley poverty porn The Czech? interactive movie made by changing lens caps on projectors. scenes of same duration https://books.google.com.sg/books?id=zVUEAAAAMBAJ&pg=PA31&dq=Kinoautomat+Raduz&hl=en&sa=X&ved=0ahUKEwju7L2W_PDQAhXIOI8KHdgpC8EQ6AEIKzAD#v=onepage&q=Kinoautomat%20Raduz&f=false bullet screen Driving While Black The realities of arcades. User centered design Imax VR Ghostbusters https://en.wikipedia.org/wiki/Michael_Naimark IMU first person POV VR journalism directed attention 65 % SNAP vs. Google Glass Camera that Changed the World Pan, tilt and roll-camera directions hyperlapse- take out the wobble Hollywood vs. Silicon Valley Facebook VR camera stabilization Magic Leap Hololens size of display is arbitrary Action cams Anything where hands are involved The feeling of being there Robert Flaherty Documentary Richard Deskin Occlusion missing data bulls eye steadycam artists you don't have to fill the whole 360 vr. cinematography studies  #3 you should see the whites of her eyes ears are easy to fool. eyes are hard to fool the content's relationship to the medium a mixing board, to "duplicate" reality flight simulator multiple viewers in a shared space VR..the intimate space, right in front of you Gamers know this Cineoramas 1900 Paris Exposition Representing people in VR Equirectangular sections; the map makers' problem orthoscopic: everything is is scale no zooming first person point of view walking together How the West Was Won intimate language nadir hole ambisonic sound Riftcam http://riftcam.com/#why180 Google Killed a Donkey binaural microphone Jean Ropuch Richard Leacock Cannot look around; cannot sway. Navigation Manipulation Cinematic branching https://books.google.com.sg/books?id=hRtBAQAAQBAJ&pg=PT77&lpg=PT77&dq=cinematic+branching&source=bl&ots=yuz5O7_Q6T&sig=GrJaO7CvY_kh_5D4kMgkF8b8PrQ&hl=en&sa=X&ved=0ahUKEwjJnd-v-_DQAhUSSY8KHYvRBfQ4FBDoAQgwMAQ#v=onepage&q=cinematic%20branching&f=false http://www.gamasutra.com/blogs/AlexanderFreed/20140909/225281/Branching_Conversation_Systems_and_the_Working_Writer_Part_2_Design_Considerations.php ears easy to fool; eyes difficult Abel Gance 1927 Napoleon Jeff Lynch   ???? Matterport    

A brief introduction to Michael Naimark, media art guru

 

(the photo used at the top of this post was obtained from Pinterest, where the following credit was provided: Michael Naimark, media art guru. | KR8V | Pinterest | Medium Art, Aspen and Michael O'keefe I did not create the image, am using it without permission and I hope that is OK. )

On December 10, 2016, I was fortunate to attend a small workshop conducted by Michael. Michael was extremely informative and his personality allowed everyone to ask questions and share information freely. I have a separate post about notes taken during the workshop. It was great!

This post serves as an introduction to Michael's work.

His website:

http://www.naimark.net/

The following is from his website:

VR-Related Presentations & Publications (1981 - 2016)

Selected News Upcoming Dec 10: Visiting Instructor, “Virtual Reality for Artists”, Objectifs Centre for Photography and Film, Singapore Upcoming Dec 7: Opening Keynote, “The Digital in Cultural Spaces”, National Museum of Singapore. Oct: #5 in "25 of VR's Greatest Innovators," Polygon. Oct: "VR Interactivity: Some Useful Distinctions," Medium.com. Oct: Invited Presentation, Digital Futures Program, Ontario College of Art and Design, Toronto. Oct: Opening Keynote, First VR Creative Doc Lab, Canadian Film Centre, Toronto. (news story) Oct: Opening Keynote, "Weird Reality: New and Independent Visions of Head-Mounted Art and Code," CMU. Sep: Quoted, Pioneers of Virtual Reality Art, Financial Times, London Sep: Guest presentation, USC Cinema "Technologies of Presence" class of Scott Fisher. Sep: Guest presentation, UC Berkeley Haas School of Business "Social Media and Social Movements" class of David Evan Harris. Jun: "VR Cinematography Studies for Google," Medium.com. Apr: Quoted, "Fantastic Radio Show about VR, c.1992," Boing Boing, Apr 25, 2016. Feb: Presentation, "Cameras, Interactivity, and VR", NYU ITP.

Flame Magnet

Only those who attempt the absurd will achieve the impossible.
M. C. Escher (supposedly), posted on The Dude's Facebook page  Thank you for having the courage to buy Flame Magnet. Ultimately, you will receive at least 12 stories, all for free. Flame Magnet is an experiment, a new way of using Amazon and recognition of the fact that an electronic book can be a flowing, shifting thing. Flame Magnet also acknowledges the power of algorithms, gaming strategies and word of mouth sharing/advertising. You have paid 99 cents for an empty shell. A year from now, your shell will be full of at least twelve stories and Amazon will be selling Flame Magnet for $5.99 or $12.99 or $34.99. I will, as soon as possible, email you a version of Flame Magnet that contains five stories. The stories are: Lipstick and Snow, Lorong 16, Deepavali at Gallicier and  Ronnie and the Burns. The other two stories will remain a mystery, but here a couple of hints: Motown and Bali. Lipstick and Snow was featured in the premiere issue of Staple magazine, Lorong 16 is a dystopian dark comedy set in the Geylang district of Singapore and Ronnie and the Burns is a documentary about Ronnie See, the leader of the first rock band in Singapore. Deepavali at Gallicier  first appeared in the bestselling book i ate tiong bahru. The story documents one day at a traditional Peranakan bakery in Singapore and is one that I have received the most comments upon.     Ultimately, there will be at least a dozen short stories in Flame Magnet. The stories will be about James Brown, Singapore National Day in Plain Vanilla, 3how, Verrie Larch, Deepavali at Gallicier Peranakan Pastry Shop, Mom's Farm in Bali, a little bar in Tokyo on a wintry morning, Singapore's First Rock Band, Secrets of You Tiaow  and much more. In short, your 99 cents is an entry into a literary project that will grow with time. Your "investment" will increase, as every time I add a new story to the Flame Magnet ebook file, you will receive it, at no extra charge Let me repeat this  another way. You have bought a subscription. As soon as I have your email, I will send you the latest version of Flame Magnet. You will get 3 or 4 files in the next six months. The last file sent to you will have at least twelve stories. Again, there is no extra charge, even though the completed ebook version of Flame Magnet will sell for almost twelve dollars! Thanks for being so bold and open-minded. Welcome to the Flame Magnet adventure!     (Oh yes... I should say that I am extremely excited about the stories in Flame Magnet. They are very different from my Bali Wave Ghost novel and i ate tiong bahru, which became a national bestseller in Singapore. Oh yes again...as I write this, there are about 20 days left in my crowdfunding campaign. I have already exceeded my goal, but there are still a number of rewards left.  

The Oak Bar

Hey everybody! Russell, Pavle, Xu Xi and Bernard! I'd like to introduce you to O'Brien Brown and Carl Adams! I've written about them elsewhere on this blog. Carl wrote about the first slave freed by Abraham Lincoln, a woman named Nance. O'Brien wrote coming of age story set in the Sixties. So, do poke around on the links and enjoy your selves! The next round is on O'Brien Brown! .....Oh yeah! My crowdfunding campaign reached 130% in the first three days! But yeah, there are still some great rewards left!http://www.zingohub.com/en-GBL/stephenblack/i-ate-tiong-bahru-limited-glassware-edition...... (first post on the blog follows...)I like to introduce people. My hope is that some of the people here will look at some at some of the links of the others, possibly interact, as well as  introduce other people to "drink with". Pavle Radonic... Fresh toddy in JB, a bottle of the good stuff at Vic's... Here is the bio used in the text and photo project we did together: A Melbourne, Australia writer of Montenegrin heritage, Pavle Radonic has been living and writing intensively in the South-East Asian tropics for five years. Oddly and unexpectedly, in this time he has become a kind of minor Malay Archipelago specialist, at least from the Western perspective. Pavle has divided his time between peninsular Malaysia, Singapore and Indonesia (Jakarta & Jogja in particular). In Australia his writing has been  published in a range of literary journals and magazines; more recently his work from this region has appeared in Ambit Magazine (UK), Big Bridge (US) and The Literary Yard (India), among others. A literary miscellany more than blog can be found at: www.axialmelbourne.blogspot.com   Xu Xi... Yes, we have had a few drinks together; Hong Kong, Manhattan and Singapore. Her latest novel is called The Man in Our Lives. The Jakarta Post did this very thorough interview with her. Russel Darnley... We drank coffee in the Tiong Bahru Mouth! I'm hoping we can exchange words about our books...his, called Seen and Unseen, includes a chapter on the Bali Bombing, the event which, tragically, launched the career of Mr. Orgasm Donor, a character in my novel entitled Bali Wave Ghost. Russel, fluent in Indonesian, did volunteer work immediately after the Bombing and the notes he began taking at that time became the first steps towards Seen and Unseen. Bernard Jann... At  least once, Bernard probably had a glass near his computer in Europe and I probably had a glass near my computer in Asia. So there ya go. Bernard's website is here. He once helped me research some Croatian oldies:
.....................cheers! SB...................

Exciting New Cemetery @Isetan Wisma Atria

stephen black exciting new cemetery; involvement with tiong bahru mouth, 3how, photography, Obama Search Words,video,Lorong 16,self-publishing, Fires, Singapore art from 1965-2017, Singapore Personal Art Metadata,SPOKEN,Furikake,limited editions,Contact With Shadow, the art of conversation,Flame Magnet, thumb-shaped kways, Big Homer,Beach Road, Bali Wave Ghost and i ate tiong bahru @ isetan wisma atria from September 6-October 3 The Stephen Black is present everyday except Monday. This will be finalized very soon, but will involve talks,books by Stephen Black, exhibited artworks, digital artworks,artworks for sale, free screenings of the Beach Road 360VR movie, hands on interaction with SPOKEN, the virtual gallery co-created with Eugene Soh and much, much more.... exciting new cemetery jpeg

Jakarta Menghubungkan !?

Halo. Nama saya adalah Stephen Black.
Saya mengirim pesan ini
berharap untuk terhubung dengan
seniman , penulis , wartawan , musisi , 
dan siapa saja yang tertarik bertukar ide
Saya melakukan banyak hal .
Berikut adalah galeri maya saya buat dengan artis Eugene Soh
 www.gallery.sg
Saya telah menulis sebuah novel tentang Bali disebut Bali Wave Ghost .
Beach Road adalah nama dari 360 film saya telah membuat .

megaJakarta
Saya memiliki lebih banyak seni dan menulis proyek , 
tapi saya berharap untuk mempelajari lebih lanjut tentang apa yang Anda lakukan . 

Aku akan berada di TIM sampai sekitar 20:00 hari ini .

Email aku! bookmerah  AT Gmail 
or on Facebook 
https://www.facebook.com/baliwaveghost/
Terima kasih!

StephenBlack
  Halo! My  name is Stephen Black. I send this message hoping to connect with artists, writers, journalists, musicians and anyone interested in exchanging ideas. I do many things. Here is a virtual gallery I created with the artist Eugene Soh. www.gallery.sg I have written a novel about Bali called Bali Wave Ghost. Beach Road is the name of a 360 movie I have made. I have many more art and writing projects, but I hope to learn more about what you do. Email me! bookmerah  AT Gmail or on Facebook https://www.facebook.com/baliwaveghost/ Terima kasih!   Stephen Black

Facebook Live: What Would Andy Warhol Do?

Sleep Lonesome Cowboys Outer and Inner Space Flesh He would use his signature and technology to make money.Gallery Kia red and other colors_edited black cat wood   cat FB Live  

Notes on my First Two Facebook Live Shoots

Background I have  exhibited video art worldwide and have worked in network television (CNN, Fuji TV, France 2) as a producer, cameraman, lighting man, director and sound person. The first FB Live test was undertaken to document a presentation inside the JDMIS Jewellery School. The second test was meant to complement a  text and photographic project I am working on about the Tiong Bahru Market in Singapore. If there is interest by anyone, including websites, magazines or other bloggers, I would be happy to develop the following into a proper article.  For now, just these notes... Overall experience
  1. Shooting with a phone requires practice and experience. This is live! If your hand shakes due to fatigue, your audience will know it. The lightweight camera may even "throb" a bit because of your pulse. Moving the camera and/or your body will disguise this issue, but camera and body movements need to be choreographed...especially because of...
  2. The signal! I discovered in the midst of both shoots that the wifi signal was inconsistent. FB Live flashed a warning and in some cases, the recording was paused.  Though the viewfinder showed a clean image, on the viewer side the video was pixellated. In the case of documenting the jewellery making demo, this was undesired. In the case of the Tiong Bahru market, the FBLive footage reminded me of a video I'd done with Cat Hope. Great!
  3. Optics... The lens on the Samsung I used is wide, comparable to a 35mm lens on a fullframe digital SLR. Most, if not all of what I shot was 5 feet away or more. I physically moved the camera when I needed to change the composition.
Pluses -Getting to experiment with live broadcasting live. -No gear, just a phone! -Ability to shoot wild, and react to the presenters and the scene before me...no tripod! Let's dance! Still of Tanja JDMIS FB Live on desktop The display on FB is a treat... -Doing something memorable...I will always remember my first FB Live experiences. -Square format! -Sound and video were both pretty good quality. -Nice to see how many viewers, though I'd rather have a clean viewfinder. -shooting black and white video in a square format is refreshing Here is one piece of the JDMIS  footage. FB Live Samsung phone camera holder

The improvised rig, courtesy of the fine folks at JDMIS.

Challenges -Unusual titling mechanism...Seems like a screenshot for the title display is grabbed immediately once the recording starts. There is an ability to change this after the shoot however. -Areas with a weak signal result in stoppages, pauses or what looks like pixelation. I should have done more tests, though the three equipment tests in the same area did not show a weak signal and no pixelation occurred. -Faces... At one point I was sitting next to a man reading the newspaper. He seemed OK with me shooting and I couldn't resist recording him. I didn't get his name and assumed he was OK with me recording him. Things don't always go this way, though...what if a big, short-tempered person did not want to be recorded? What if that big, short tempered person thought I was shooting him or her--and I wasn't? -Camera battery unpredictable; felt that it would last for an hour and 15-20 minutes, based on tests. Battery was empty after about 30 minutes. -Everything is awesome! Oops.... I mean everything is auto....sound...exposure... - At one point little hearts floated cross the screen...no thanks. Also, a friend's avatar was on my screen while shooting... not needed and, because I was shooting live, there was no way to stop and see how to get it off. FB LIve TB Market with phone I'm excited!