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Silent State is the name of a new musical project by Amith Narayan, Wilson Goh, Justin Bannister and Siva Saravanan. The following are simple tests made with MS Paint. At some point I hope I can invest the time to learn Pshop or the equivalent, but for now the following do the job as starting points for discussion. The last one is, perhaps, the most exciting. It also requires a delicate sensibility and the experience to combine a handwritten word with an authoritarian block font. Amith had suggested that green or grey could be used. Those choices could work, but with the following I was, obviously, just working with the idea of negative space... as well as a limited selection of fonts and the bare bones positioning capabilities of MS Paint. Re: the music. It is a treat. For those of you who don't know, Justin is a keyboard genius from the great state of Michigan, Siva has done outstanding work as a percussionist and composer of award-winning movie soundtracks, Wilson is an award-winning choral singer and Amith's band The Unseen Guest continues to get more fans and praise for their two albums. And then there is 3how...
Halo. Nama saya adalah Stephen Black.
Saya mengirim pesan ini
berharap untuk terhubung dengan
seniman , penulis , wartawan , musisi , dan siapa saja yang tertarik bertukar ide
Saya melakukan banyak hal .
Berikut adalah galeri maya saya buat dengan artis Eugene Soh www.gallery.sg
Saya telah menulis sebuah novel tentang Bali disebut Bali Wave Ghost .
Beach Road adalah nama dari 360 film saya telah membuat . megaJakarta
Saya memiliki lebih banyak seni dan menulis proyek , tapi saya berharap untuk mempelajari lebih lanjut tentang apa yang Anda lakukan .
Aku akan berada di TIM sampai sekitar 20:00 hari ini .
Email aku! bookmerah AT Gmail or on Facebook https://www.facebook.com/baliwaveghost/
Terima kasih! StephenBlackHalo! My name is Stephen Black. I send this message hoping to connect with artists, writers, journalists, musicians and anyone interested in exchanging ideas. I do many things. Here is a virtual gallery I created with the artist Eugene Soh. www.gallery.sg I have written a novel about Bali called Bali Wave Ghost. Beach Road is the name of a 360 movie I have made. I have many more art and writing projects, but I hope to learn more about what you do. Email me! bookmerah AT Gmail or on Facebook https://www.facebook.com/baliwaveghost/ Terima kasih! Stephen Black
"Art"... such a misused word. In the case of the thumb kways, the "art" label was easy to understand, in that the kways looked like thumbprints, which made them a form of self-portraiture, among other things. But now, these miso furikake riceballs... why do I label them as an artwork as opposed to, say, promotion for my Furikake book? Or marketing for Mom Natura? Or promotion for Tawaraya Rice? Ultimately, art is communication and self-portraiture. With the Iron Fire Furikake Miso Riceball Tour, we went out, communicated, learned about natural food stores in Singapore and had fun. We weren't out to sell anything, just wanted to share the magic of rice and iron fire miso furikake.... We set out hoping to interact with most of the stores on this list. First stop: 67 Aliwal Street. Two people had an iron fire furikake miso riceball experience. This image was created: A haiku poet! Dave Tai who, like a Zen master, listened to me describe the riceball artworks. He then became one with the riceball. http://www.haikufever.com/ Next stop: Shaw Towers, where we had surprised Karen Ong and Lee Hui Lun at Oasis Organic the day before. Another riceball experience! The shop had just received a big delivery, so we only took this shot, of a shelf where the goods had already been unpacked neatly... Then, we did something we don't do often: we ate meat. (I know, I know...) This is the view of Shaw Towers. You can't see it, but there is a sign that says Shaw Leisure Gallery: The Art of Life. Wish we'd had time to see our dear friends at JDMIS, Asia's center for jewelry making classes and certification. Next stop Tanglin Mall! The person we met at Brown Rice Paradice was not in the mood for a riceball experience but did seem happy to take the info we provided. Coincidentally, we ran into Chris, jewelry designer and maker of musical beats. We met in Tiong Bahru in Tiong Bahru a few years ago and, unfortunately, have not yet had a chance to sit down and relax with cold beverages made of fermented wheat and hops and stuff like that... SUPERNATURE! At Great World, we stopped by Four Seasons... Somewhere near Robertson Quay: documentation of the pamphlet from Mom Natura and the chirashii from Tawaraya Could not resist! But, our ultimate destination on Mohamed Sultan was : The Organic Grocer. Then, we dashed off to catch a glimpse of the Annie Liebovitz show before it closed. I'd worked for her for a month on a series of shoots in Tokyo a while ago and, even though I knew it was a naive idea, thought she might still be in town and I could just say hi. She was gone, of course, but the man in charge was extremely helpful.. and the recipient of one of the day's last iron fire miso furikake riceball masterpieces! Finally, a haiku by Dave Tai...
Part 1 of this post is here. So, this post is fun. It is only now that I see the variety of designers I have worked with. Not all are in these two, soon to be three posts. Some were like the guys at Eka Printers in Bali; where I just go in and hope for the best. Because of the language barrier and the race against the clock, I never know exactly what I am going to get. I ENJOY THAT! Of course when it comes time to do an offset run, it is the exact opposite: there must be no surprises or errors. As an example: I Ate Tiong Bahru. No grammar or historical errors have been found AND the words fit perfectly on the page; there aren't any one line or one word "orphans" hanging onto the top of a white page. That is due to the patience and expertise of Philipp Aldrup, who allowed me to rewrite on the spot so that the lines end gracefully (without hyphens, for example) and fill the page in an attractive way. So...where was I? Oh yes? The first decade of the millenium. Nicholas Foo, the Lego artist. I was lucky to meet Nicholas! He had just left his full-time career as a highly respected graphic designer. He was committing himself to becoming an official Lego artist--Asia's first. He said he could find the time to work on the packaging for the MGK--the Multipurpose Gamemaking Kit. Package, business card, CD, great stuff. (Must find the jpegs) The thumb kway idea has stayed with me and I now have plans for a triptych, of sorts. Thanks to Gerald Leow, I was invited to become a member of a short-lived collective called the Foreign Love Club. The Foreigner/kway idea flourished nicely in that fantastic installation set up at Bedok Reservoir. Unfortunately, the process to get a perfect Foreigner kway took longer than expected, so we had to go with the thumb kways. Tze Yu and Zhiying of litile collective were helpful and patient. Food+ art+ 3D printing= a big yes! CHARIS! I was shocked, shocked, nicely shocked when Charis, with genuine support and friendliness, allowed me to use one of his Obama digital portraits in Obama Search Words. One of my dreams is to visit him in Greece and take him and his wife out to dinner... Amith and Tracy and teh Unseen Guest albums... Well, the days of 12inch records seems to be gone, so my dream of creating an album cover seems to be difficult to realize, if not impossible. But with The Unseen Guest, I was able to do the next best thing. Actually, I was extremely lucky because the music of The Unseen Guest is remarkable. It is difficult to define, easy to fall in love with. I worked with Amith and Tracy Bay and I think the results are as appealing to me now as they were at the time we made them. For the first CD we used photos that Amith and Declan had shot when they were in India recording the album. Tracy kept things right on the edge, meaning that we had the look and feel of a record cover made in the Sixties, with just a hint of the second millennium postmodernism. (ooooh..postmodernism!) <iframe width="560" height="315" src="https://www.youtube.com/embed/FBGO0lVrA_g" frameborder="0" allowfullscreen></iframe>The second album, Out There, used a few of the photographs I had taken in Yangon. Thanks Tracy! Thanks Amith! <iframe width="420" height="315" src="https://www.youtube.com/embed/GqaO-EofKRE" frameborder="0" allowfullscreen></iframe> May Lim...even though she was battling an illness, May patiently and professionally helped me get the word out about Book Merah! Part 3, coming up soon!
This is one of a series of essays on my relationship with, and thoughts on, using photography to create art. My collaboration with the artist Mee-Young Arkim is a starting point and a reference. The first post is here. The elimination of self. Not necessarily a goal in art, but when the self becomes minimized, the experiences and interpretations of the viewer are allowed to flow where they may. The idea of an artist creating a work without a sense of self is impossible of course; all art is self-portraiture. Perhaps "surprise" is the element that I am attempting to describe. Yes, Mee-Young had given me a briefing, albeit an open one. Yes, I was perceiving the work as a reference to the water found in rice fields. And yes, I became very conscious of recording the physicality of the moment: the rising sun, the changing light, the cool darkness of the stones and the way the pieces caught the delicate shades of the sky.
“No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader.”― Robert Frost But then , while holding my fingers against the shutter speed and aperture controls, I remembered a simple technique, blur. The high contrast scene before me was ideal for a slow shutter speed and a carefully moved camera. I selected a slow shutter speed and perceived the scene before the camera differently. I put the camera on my knee, pressed the shutter--and moved. It is unfortunate that I am not now able to use a better monitor and software to really pull out the subtleties that the RAW file of this image contains. Even so, the image is a source of strength to me. When I look at it, I am allowed to wander. And yet I am reminded of standing by the side of a rice field in Bali with a Korean artist, as we interacted to create something that supported and illustrated her original concept. This image may be a failure in that it does not obviously pay homage to the magnificence of a rice field flooded with water. I enjoy it greatly however, as it has its own internal logic. To me, it represents the A-or-B wobbly logic of Possibility.
This is one of a series of essays on my relationship with, and thoughts on, using photography to create art. My collaboration with the artist Mee-Young Arkim is a starting point and a reference. The first post is here. Unless I am asked to write a review, I do not write about how I look at photographs. For one thing, photography is as diverse as Life itself. One looks at photographs of distant galaxies differently than one looks at photographs of blood cells. Conceptual photography, portraiture, street photography, photojournalism, pornography, daguerreotypes, aerial photography, etc. etc. With this post, I am free-associating and doing research. The following links and notes were inspired by this image that I created with Mee-Young Arkim, a Singapore-based Korean artist who has lived most of her life in Paris.
- My own work has often featured images that "look good in space". By this I mean that in space, there is no up or down; I have often enjoyed the challenge of creating composition that have meaning when hung on the wall in any of the four "traditional" possibilities.
So...in the course of doing this and doing that with Mom NatuRa, I was asked my opinion about a logo test... Thought it would be good to do a Facebook poll, but they seem to no longer be as easy to do as they once were....This was made with Opinion Stage... And yes, if you are around Ubud on Sunday, stop by.
The first of a series of essays on my relationship with, and thoughts on, using photography to create art. My collaboration with the artist Mee-Young Arkim is a starting point and a reference. Background: I met Mee-Young at the Red Dot Museum in Singapore, at MAAD, their monthly event featuring artists and designers. Mee-Young had read one of my books and I was interested in her work as an artist. Although Mee-Yong is fluent in French and her native Korean, we communicated in English by exchanging carefully crafted questions and answers. She gave me her card months ago. In Bali, I had become excited about moving into a house that is separated from rice fields by a gray brick wall. I felt I had to make a section of that wall into something like a stage. I would put my laptop on it, display an image and create an image, maybe an artwork, maybe Art. Photographing a laptop display is a simple thing when the laptop is the only light source in the room. But trying to do the same thing (without using Photoshop) outside in the daytime is full of challenges, mainly the overpowering brightness of the sun and reflections. So, I thought that I would do the project daily, either at sunrise or sunset.The images would, hopefully, be filed with the dark blueness of sky, the vibrant greens of the rice field, the rough grey of the brick wall and the dynamic image on the laptop. Conceptually, I was satisfied with this approach as a starting point. While preparing for the move to the new house, I found Mee-Young's card, which led me to her website. Her artworks and accomplishments impressed me. I especially liked the simplicity of a piece called Rite of Silence.... Other posts related to this project: