Tag Archives: installation

August 4, 2018 Hong Kong: From Blockchain to Noodles with Gluten and Black Fungus

Notes on today for Alphabet Spikes, my book-in-progress-as-experiment-on Amazon.

These images are from Dustin Stupp's quietly stimulating On Brink artwork, now on display at the Innovation Tower at HK PolyU. Very thought-provoking, Dustin's piece is a trustworthy way to begin an understanding of Blockchain. First at lunch, and then at the artwork itself, we discussed blockchain. To be most accurate, I asked a few questions and listened a lot. I recorded our conversation and took notes. Block chain is not something that can be written about quickly.Later, I will have at least one dedicated post about my time spent with Dustin and his piece.if you have any questions, please leave them in the comments section.(BTW, Dustin is open to exhibiting On Brink elsewhere; please get in touch if you have any ideas. The piece is meant to be experienced in real time; those piles of dirt are visualizations of block frequency and size.)

invisible gold

eating electricity

the size of countries

My mother saw the real thing today.

Just outside of Hong Kong PolyU.

Point A to point B, concluding at one of Bubiko's favorite places in the area.

If you like this, here is another day.

Stelarc: the sound of three hands clapping (#3 in the Haptics series)

Three hands clapping. Maybe the phrase is a cyborg Zen riddle. Maybe it’s not. I can only imagine Stelarc’s reaction upon seeing the phrase. He'll either ignore it and plunge into the heart of the text, or laugh his Aussie-mad-scientist laugh..

This post is casual, a pleasant way to continue my haptics series. So much of writing, art and AR/VR is done in isolation and it is refreshing and important to remember the human side of things. I’m reminded of how unusual the “facts” of my life can be: In Singapore’s Little India, I once had dinner with a man with an ear on his arm.

When I lived in Japan, I was fortunate to document a few of Stelarc’s performances that featured The Third Hand, including his monorail suspension, his "last". Years before that event, I was working in lower Manhattan, not far from where Stelarc suspended himself over 11th Street. Two of my friends rushed in and told me about the “guy who was hanging by fish hooks”. The information caused me to become became pale and deeply confused.

Photo by Toyo Tsuchiya used with permission.

Now, when I meet Stelarc, it is like seeing a dear friend, one who is always stimulating.

Stephen Black as lab rat

effect of low voltage electricity on muscles demonstration

Stelarc ear on arm

LASALLE College of the Arts, Singapore. With Urich Lau and Steve Dixon. My first and only photobomb.

http://www.blacksteps.tv/unlocking-with-ears-stelarc/
man, hat, smartphone and dragonfly

Stelarc recording winged body, by Stephen Black

Stelarc has a piece in SPOKEN, a co-production between myself and Eugene Soh, The Dude. The first part of this series is here.

Cone: Engadget Experience public document

Hello Engadget and Esteemed Judges,

My name is Stephen Black and I am an artist, writer and producer. Cone is a three part project: a VR experience, an AR film experiment and a book. Thank you very much for your time and consideration.

OnwARd,

Stephen Black

Engadget Experience Cone by Stephen Black PDF

AR, VR, ebook icon: Cone

Stephen Black's Cone is a 3 part project proposed for the 2017 Engadget Experience

Engadget Experience STEPHEN BLACK CONE (VR +AR +ebook)

Stephen Black’s Cone is a conceptual, experiential, multidisciplinary artwork: VR, AR, gaming, audio and text. Cone is conscious—and ignorant-- of fine art, dance, music, sound, design, animation, performance art, branding, storytelling, and installation. Cone has three parts: a short VR film experience, an AR experiment with Vance and a book documenting the creation and ideas associated with these two projects. Cone aims to help bridge the gap between artists and technologists.

Stephen Black is an artist, producer and writer. He was creative director of the Monja Kids Creative Development Kit, a 3D gamemaking kit which was successfully launched in Singapore.

Beach Road, Black’s 360 short film co-production with Hiverlab, was featured at film festivals in Brisbane, Singapore and Las Vegas. He curated SPOKEN, a virtual gallery(Unity) built by Eugene Soh. His text was a significant part of Michael Lee’s Office Orchitect installation at the 2011 Singapore Biennale.

Virtual gallery curators at the opening of their exhibition

Glasses in hand, the avatars of Stephen Black and Eugene Soh welcome visitors

Floating balloon dog

Eugene Soh's tribute to Jeff Koons' balloon dog floats over the SPOKEN landscape

VR graphics for game engine project

One of several designs by Roy Chan.

Black has worked for Cartoon Network, CNN, Fox and Fuji TV. He is also the author of several books, including i ate tiong bahru , which is a national bestseller in Singapore. He collaborated text and concepts to Office Orchitect, Michael Lee’s installation at the 2011 Singapore Biennale.

CONE 360 short film will combine butoh, performance art with 360-specific visual and audio techniques.

Ohno spirits

CONE AR will feature Vance, an animated character, and challenges the limits of AR filmmaking/storytelling.

Vance

Secret Donut World by David Severn w/ Stephen Black

CONEMA MANIFESTO (koh-ne-ma, three syllables as in cinema) An ebook combining existing interviews and essays by SB, with documentation of CONE and examples of short stories which lend themselves to 360 cinema.To be given away free during Engadget Experience.

Emgadget Experience documentation

Cover for ebook of Stephen Black's proposed Cone project for the Engadget Experience

Technologies and Products

Google Tango, depth perception visual/shape recognition algorithms, alternatives to image markers or GPS, Matterport, Unity, Vuforia, Android, Samsung, Ossic Sound, technologies that can scan bodies, technologies that link sound files, lipsynch and AI

Total Budget for VR short film experience, AR experience and ebook production, transportation and expenses: $100,000. Item by item breakdown available upon request.

Current topics of research:

http://www.blacksteps.tv/360-videography-what-would-matisse-do/

http://www.blacksteps.tv/the-potential-of-vr-as-a-collage-medium/

http://www.blacksteps.tv/riffs-on-vives-vr-development-bootcamp-at-digipen-part-1/

http://www.blacksteps.tv/mare-vaporum-open-source-video-source-material/

http://www.blacksteps.tv/virtual-reality-for-artists-workshopmichael-naimarkobjectifs/

http://www.blacksteps.tv/with-bubiko-foodtour-at-the-i-love-penang-festival-in-kl/

http://www.blacksteps.tv/haptics-giving-vr-the-finger-1-of-a-series/

http://www.blacksteps.tv/four-examples-of-a-blog-post-display-on-mobile-instant-article/

http://www.blacksteps.tv/red-dot-sad-stories-art-digitalia-2002-2017/

minimal book covers

red dot SAD (Stories Art, Digitalia 2002-2017) book by Stephen Black

http://www.blacksteps.tv/self-portrait-as-a-game/

http://www.blacksteps.tv/facebook-goes-cameramondo/

http://www.blacksteps.tv/vr-what-would-picasso-do-notes-and-links/

Music/audio/performance: 3how

screenshot of video interview on youtube

Stephen Black discusses his books, including Bali Wave Ghost, Obama Search Words and i ate tiong bahru.Reality TV and VR are also briefly discussed. Video by Aquiles Ascension

AR, VR, ebook icon: Cone

Cone. Engadget Experience. Los Angeles 2017

Mee-Young Photography Project: internal logic

This is one of a series of essays on my relationship with, and thoughts on, using photography to create art. My collaboration with the artist Mee-Young Arkim is a starting point and a reference. The first post is here.

abstractfloating form

Collaboration between Mee-Young Arkim and  Stephen Black, Bali, 2016

The elimination of self. Not necessarily a goal in art, but when the self becomes minimized, the experiences and interpretations of  the viewer are allowed to flow where they may. The idea of an artist creating a work without a sense of self is impossible of course; all art is self-portraiture.

Perhaps "surprise" is the element that I am attempting to describe. Yes, Mee-Young had given me a briefing, albeit an open one. Yes, I was perceiving the work as a reference to the water found in rice fields. And yes, I became very conscious of recording the physicality of the moment: the rising sun, the changing light, the cool darkness of the stones and the way the pieces caught the delicate shades of the sky.

“No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader.”

Robert Frost

But then , while holding my fingers against the shutter speed and aperture controls, I remembered a simple technique, blur. The high contrast scene before me was ideal for a slow shutter speed and a carefully moved camera. I selected a  slow shutter speed and perceived the scene before the camera differently. I put the camera on my knee, pressed the shutter--and moved.

It is unfortunate that I am not now able to use a better monitor and software to really pull out the subtleties that the RAW file of this image contains. Even so, the image is a source of strength to me. When I look at it, I am allowed to wander. And yet I am reminded of standing by the side of a rice field in Bali with a Korean artist, as we interacted to create something that supported and illustrated her original concept. This image may be a failure in that it does not obviously pay homage to the magnificence of a rice field flooded with water. I enjoy it greatly however,  as it has its own internal  logic. To me, it represents the A-or-B wobbly logic of Possibility.

GRAND STOP (collaboration with Daniel Bainbridge)

 

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