From my TV and gamemaking days, I have some familiarity with compositing. Although it is almost certain that I will never become a compositor, I sat in on Hugo's seminar. I think I retained about .001% of the technical information that Hugo shared, but observing his workflow and troubleshooting tips was inspiring.
The Addams Family: Reintroducing a Classic: the presenters, co-director Conrad Vernon and Producer Alexa Schwartz, spoke about the challenges in creating a new version of The Addams Family. Although the story is contemporary, the two looked at the original drawings of Charles Addams. His drawings, featured in The New Yorker magazine, were the basis of the original TV show.
Conrad and Alexa presented like the professionals that they are. They completed each other's sentences. They kept the topics moving. Perhaps they rehearsed and planned for a long time, or maybe they just improvised so informatively because they knew their subject so well. They showed clips and explained the stories behind them. If there is an Addams Family Hall of Fame, Conrad and Alexa should be in it.
Animated movies have their own unique characteristics, but they also act as "containers" for other art forms, music being the most obvious example, drawing being another. However, successful animated characters are the result of combining drawing, sculpture, programming and... dreaming. Animated characters are often realistic, but they can ignore the laws of physics. Dreams and animation need no logic.
Having said that, the more a VFX operator/CG artist/animator studies reality, the better. Noticing the almost imperceptible muscles movements of the human body results in all kinds of possibilities, especially when one must make a character react to something unexpected. The following clip was shown by Theodore Tye, as part of his excellent presentation entitled Beyond Eye Darts: A Closer Look at Acting for Animation:
This masterclass, through the analysis of clips from animated and live- action films as well as acting theory, takes a fun, in-depth look at the study and execution of both comedy and dramatic acting for animation.
Following is one of the clips shown to exemplify a reaction worth studying.
I have just settled down after travelling for over two months. I am still processing all that I learned and experienced at VIEW and an other post is on its way.